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Arabesque No. 1 - Claude DebussyInteractive lesson ready

Arabesque No. 1 - Claude Debussy

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Arabesque No. 1 - Claude Debussy.

80 BPM 5:25 E Major 4 tracks 2912 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

80 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo80 BPM
Duration5:25
Tracks4
Notes2912
Key / ScaleE Major
Pitch rangeE1 (28) - B6 (95)
Range span67 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
A/C#C#m11B6/AbB6A6AEE/AbF#mF#m7/E
00:00 - 01:21
Early middle
D11/GF#mF#sus4B7sus2/F#Bsus2/F#B9/AB7/EbAbm7/EbEmaj7/EbEmaj7/Ab
01:21 - 02:42
Late middle
E9/F#E7E13/DAbm7b5/F#Amaj7F#m7/AB11/AB7/AE11/BE9
02:42 - 04:03
Ending
C#m/EAbmC#m/EAF#m7/EAmaj7Eadd9/F#C7/BbE6/AbC#sus4
04:03 - 05:25

Description & Musical Analysis

Practice Arabesque No. 1 - Claude Debussy with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Claude Debussy, Classical and related collections.

How to Play & Trivia

Arrangement profile

Arabesque No. 1 - Claude Debussy runs for 5:25 at 80 BPM. The file presents a slow pulse and 9.0 note events per second, which is a moderately busy note stream. The stored pitch range is E1 (28) - B6 (95), a span of 67 semitones (about 5.6 octaves).

Tracks and instrumentation

The active MIDI tracks identify orchestral harp, pad 1 (new age). 4 tracks contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes A/C#, C#m11, B6/Ab, B6, A6, A, E, E/Ab, F#m, F#m7/E and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Listen through once at the stored tempo, then isolate the melody and accompaniment tracks. Use the chord timeline to mark transitions and the sheet view to confirm rhythm before combining the layers.

Related collections

For nearby material, continue through the Claude Debussy, Classical collections linked on this page.
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

More MIDI Lessons Like This

Browse catalog

These pages share tags, soundtrack context, or nearby catalog signals with this song and help you keep practicing inside the same musical universe.

MIDI Technical Specifications

Key / Scale
E Major
Pitch Range
E1 (28) - B6 (95)
Total Notes
2912

Note Distribution

C
28 1.0%
C#
430 14.8%
D
132 4.5%
Eb
130 4.5%
E
542 18.6%
F
42 1.4%
F#
374 12.8%
G
50 1.7%
Ab
378 13.0%
A
362 12.4%
Bb
46 1.6%
B
398 13.7%

Tracks & Instruments

TrackInstrumentNotes
Track 2orchestral harp746
Track 3orchestral harp710
Track 4pad 1 (new age)746
Track 5pad 1 (new age)710

Chord Timeline

TimeBeatChord
00:00M1.1A/C#
00:00M1.2C#m11
00:01M1.3B6/Ab
00:02M1.4B6
00:03M2.1A6
00:03M2.2A
00:04M2.3E
00:05M2.4E/Ab
00:06 - 00:06M3.1 - M3.2F#m
00:07 - 00:08M3.3 - M3.4F#m7/E
00:09M4.1F#m6/Eb
00:09M4.2Ebm7b5
00:10M4.3A6/C#
00:11M4.4A/C#
00:12M5.1B7sus2/A
00:12M5.2Ebm7b5/C#
00:13M5.3A
00:14M5.4Amaj9/Ab
00:15M6.1F#m11
00:15M6.2F#m7/E
00:16M6.3Bsus4
00:17M6.4C#m7/Ab
00:18M7.1E6/Ab
00:18M7.2Eadd9/B
00:19M7.3C#m(add9)/E
00:20M7.4Absus4/Eb
00:21M8.1C#m(add9)/Ab
00:21M8.2C#m7
00:22M8.3Bsus4
00:23M8.4C#m7/Ab
00:24M9.1E6/Ab
00:24M9.2Eadd9/B
00:25M9.3C#m(add9)/E
00:26M9.4Absus4/Eb
00:27M10.1C#m(add9)/Ab
00:27M10.2A6/9/C#
00:28M10.3Aadd9/C#
00:29M10.4F#m/C#
00:30M11.1Esus2
00:30 - 00:31M11.2 - M11.3C#m
00:32M11.4Abm
00:33M12.1E/Ab
00:33M12.2A/C#
00:34M12.3C#m11/E
00:35M12.4A/E
00:36M13.1F#m(add9)
00:36M13.2C#m6/E
00:37M13.3E6
00:38M13.4C#
00:39M14.1F#
00:39M14.2Bbm7b5/E
00:40M14.3Bbm7b5
00:41M14.4F#7sus2/E
00:42M15.1C#m
00:42M15.2Bbm7b5
00:43M15.3E/Ab
00:44M15.4C#sus4
00:45M16.1F#add9/Ab
00:45M16.2F#9/Bb
00:46M16.3E/Ab
00:47M16.4C#sus4
00:48M17.1F#
00:48M17.2Amaj7/E
00:49M17.3A
00:50M17.4F#m9/Ab
00:51M18.1Abm
00:51M18.2B13
00:52M18.3F#m
00:53M18.4B11/E
00:54M19.1E
00:54M19.2EmMaj7/Ab
00:55M19.3Bbsus4/Eb
00:56M19.4C#m(add9)/Eb
00:57M20.1C#m7/E
00:57M20.2C#m7b5/G
00:58M20.3Bbsus4/Eb
00:59M20.4C#m(add9)/Eb
01:00M21.1Amaj7/C#
01:00M21.2B13/A
01:01M21.3F#sus4/B
01:02M21.4B7sus2
01:03M22.1F#m7/A
01:03M22.2F#m7b5
01:04M22.3Ebsus4/Ab
01:05M22.4F#m(add9)
01:06M23.1F#m9/A
01:06M23.2Ebdim7/F#
01:07M23.3Ab7sus2
01:08M23.4Abm7/F#
01:09M24.1D/F#
01:09M24.2A6/9/F#
01:10M24.3E7
01:11M24.4Eadd9
01:12M25.1Dmaj9/A
01:12M25.2E11/F#
01:13M25.3E9/Ab
01:14M25.4Eadd9
01:15M26.1E9/F#
01:15M26.2Bm9/A
01:16M26.3A7
01:17M26.4Aadd9
01:18 - 01:18M27.1 - M27.2A7
01:19 - 01:21M27.3 - M28.1A7/G
01:21M28.2D11/G
01:22M28.3F#m
01:23 - 01:24M28.4 - M29.1F#sus4
01:24M29.2B7sus2/F#
01:25M29.3Bsus2/F#
01:26M29.4B9/A
01:27M30.1B7/Eb
01:27M30.2Abm7/Eb
01:28M30.3Emaj7/Eb
01:29M30.4Emaj7/Ab
01:30M31.1E/B
01:30M31.2F#m11
01:31M31.3F#m7/C#
01:32M31.4A
01:33M32.1A6
01:33M32.2F#m9/C#
01:34M32.3F#m7/E
01:35M32.4Emaj9/Ab
01:36M33.1B13/C#
01:36M33.2F#m/C#
01:37M33.3F#m7/C#
01:38M33.4A
01:39M34.1A6
01:39M34.2F#m9/C#
01:40M34.3F#m7/E
01:41M34.4F#m11/E
01:42M35.1A6/9/F#
01:42M35.2C#m11/B
01:43M35.3B11/F#
01:44 - 01:45M35.4 - M36.1F#m11/A
01:45M36.2B13
01:46M36.3C#m11/Eb
01:47M36.4B11/F#
01:48M37.1B13
01:48M37.2Emaj9
01:49M37.3Eadd9/B
01:50M37.4Eadd9/Ab
01:51M38.1E/B
01:51M38.2E/Ab
01:52 - 01:54M38.3 - M39.1E
01:54M39.2B7sus4/E
01:55M39.3Dmaj9/C#
01:56M39.4Dmaj7/C#
01:57M40.1E11/D
01:57M40.2F#m9
01:58M40.3B9/F#
01:59 - 02:00M40.4 - M41.1B7/A
02:00M41.2E11/B
02:01M41.3E9
02:02 - 02:03M41.4 - M42.1E7sus2
02:03M42.2Bm11/E
02:04M42.3Amaj7
02:05M42.4Amaj7/E
02:06M43.1Aadd9/E
02:06M43.2A6/9/E
02:07M43.3Dmaj9/C#
02:08M43.4Dmaj7/C#
02:09M44.1Ddim7/B
02:09M44.2Dmaj9/C#
02:10M44.3A6/9/E
02:11M44.4B7sus4/A
02:12M45.1B9/A
02:12 - 02:13M45.2 - M45.3F#m11/E
02:14M45.4F#m7/E
02:15M46.1A6/9/B
02:15M46.2Aadd9/B
02:16 - 02:18M46.3 - M47.1E
02:18M47.2Dadd9/E
02:19M47.3B7sus2/F#
02:20M47.4F#m11
02:21M48.1E7sus2
02:21M48.2C#m/E
02:22M48.3Asus2
02:23M48.4A
02:24M49.1Asus4
02:24M49.2Bm(add9)/D
02:25 - 02:26M49.3 - M49.4Bm7
02:27M50.1E9
02:27M50.2Dmaj9/A
02:28M50.3A
02:29M50.4Dmaj9/E
02:30M51.1Bm11/A
02:30M51.2Dmaj7/A
02:31M51.3B7sus2/F#
02:32M51.4F#m11
02:33M52.1E7sus2
02:33M52.2C#m/E
02:34M52.3Asus2
02:35M52.4A
02:36M53.1Asus4
02:36M53.2Bm(add9)/D
02:37M53.3Bm7
02:38M53.4Bm7/F#
02:39 - 02:39M54.1 - M54.2Abm7b5/F#
02:40M54.3D
02:41M54.4Bm7/F#
02:42M55.1Abm7b5/F#
02:42M55.2E9/F#
02:43M55.3E7
02:44M55.4E13/D
02:45M56.1Abm7b5/F#
02:45M56.2Amaj7
02:46M56.3F#m7/A
02:47M56.4B11/A
02:48M57.1B7/A
02:48M57.2E11/B
02:49M57.3E9
02:50M57.4Abm7b5
02:51M58.1E9/Ab
02:51M58.2Bm11/A
02:52M58.3Amaj7
02:53M58.4Amaj7/E
02:54M59.1Aadd9/E
02:54M59.2A6/9/E
02:55M59.3Dmaj9/C#
02:56M59.4Dmaj7/C#
02:57M60.1Ddim7/B

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.