Choral Chambers - Christopher Larkin MIDI Tutorial

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Crystal

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Crystal

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Description & Musical Analysis

Practice Choral Chambers - Christopher Larkin with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Christopher Larkin, Orchestral and related collections.

How to Play & Trivia

Arrangement profile

Choral Chambers - Christopher Larkin runs for 2:38 at 115 BPM. The file presents a moderate pulse and 7.0 note events per second, which is a comparatively open note stream. The stored pitch range is C#1 (25) - G#6 (92), a span of 67 semitones (about 5.6 octaves).

Tracks and instrumentation

The active MIDI tracks identify acoustic grand piano. 2 tracks contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes Ebmaj7, Eb, F9, Dm7/C, Gm, Gm9/F, F6/C, Dm7/A, Am, F6 and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Listen through once at the stored tempo, then isolate the melody and accompaniment tracks. Use the chord timeline to mark transitions and the sheet view to confirm rhythm before combining the layers.

Related collections

For nearby material, continue through the Christopher Larkin, Orchestral collections linked on this page.

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

MIDI Technical Specifications

Key / Scale

Eb Major

Pitch Range

C#1 (25) - G#6 (92)

Total Notes

1108

Note Distribution

134 12.1%

35 3.2%

153 13.8%

151 13.6%

12 1.1%

153 13.8%

5 0.5%

187 16.9%

95 8.6%

61 5.5%

119 10.7%

3 0.3%

Tracks & Instruments

Track	Instrument	Notes
Piano	acoustic grand piano	614
Piano	acoustic grand piano	494

Chord Timeline

Time	Beat	Chord
00:00	M1.1	Ebmaj7
00:00	M1.2	Eb
00:01 - 00:01	M1.3 - M2.1	Ebmaj7
00:02	M2.2	Eb
00:02 - 00:03	M2.3 - M3.1	Ebmaj7
00:03	M3.2	F9
00:04	M3.3	Dm7/C
00:04 - 00:07	M4.1 - M6.1	Gm
00:08	M6.2	Gm9/F
00:08	M6.3	Dm7/C
00:09	M7.1	Ebmaj7
00:09	M7.2	Eb
00:10 - 00:10	M7.3 - M8.1	Ebmaj7
00:11	M8.2	Eb
00:12 - 00:12	M8.3 - M9.1	Ebmaj7
00:13	M9.2	F9
00:13	M9.3	F6/C
00:14 - 00:16	M10.1 - M11.3	Gm
00:17	M12.1	Dm7/A
00:17 - 00:18	M12.2 - M12.3	Am
00:18	M13.1	F6
00:19	M13.2	F
00:19	M13.3	F6
00:20	M14.1	Ebmaj7
00:20	M14.2	Eb
00:21 - 00:21	M14.3 - M15.1	Ebmaj7
00:22	M15.2	Eb
00:22 - 00:23	M15.3 - M16.1	Ebmaj7
00:24	M16.2	F9
00:24	M16.3	Dm7/C
00:25 - 00:28	M17.1 - M19.1	Gm
00:28	M19.2	Gm9/F
00:29	M19.3	Dm7/C
00:29	M20.1	Ebmaj7
00:30	M20.2	Eb
00:30 - 00:31	M20.3 - M21.1	Ebmaj7
00:31	M21.2	Eb
00:32 - 00:32	M21.3 - M22.1	Ebmaj7
00:33	M22.2	F9
00:33	M22.3	Dm7/C
00:34 - 00:37	M23.1 - M24.3	Gm
00:37	M25.1	Dm7/A
00:38 - 00:38	M25.2 - M25.3	Am
00:39	M26.1	F6
00:39	M26.2	F
00:40	M26.3	F6
00:40	M27.1	Ebmaj7
00:41 - 00:41	M27.2 - M27.3	Eb
00:42	M28.1	Ebmaj7
00:42	M28.2	Eb
00:43	M28.3	Ebmaj9
00:43	M29.1	Ebmaj7
00:44	M29.2	F9
00:44	M29.3	Csus2
00:45 - 00:48	M30.1 - M32.1	Gm
00:49	M32.2	Fadd9
00:49	M32.3	Csus2
00:50	M33.1	Ebmaj7
00:50 - 00:51	M33.2 - M33.3	Eb
00:51	M34.1	Ebmaj7
00:52	M34.2	Eb
00:52	M34.3	Ebmaj9
00:53	M35.1	Ebmaj7
00:53	M35.2	F9
00:54	M35.3	Csus2
00:54	M36.1	C5
00:55 - 00:55	M36.2 - M36.3	Cm7/G
00:56	M37.1	Cm7
00:56 - 00:57	M37.2 - M37.3	Cm7/G
00:57	M38.1	Dm7
00:58 - 00:58	M38.2 - M38.3	Dm7/A
00:59	M39.1	Am7/D
01:00	M39.2	Fadd9/A
01:00	M39.3	F/A
01:01	M40.1	Ebmaj7
01:01 - 01:02	M40.2 - M40.3	Gm(add9)/Bb
01:02	M41.1	Ebmaj7
01:03 - 01:05	M41.2 - M42.3	Ebmaj7/Bb
01:05	M43.1	Cm9/Bb
01:06 - 01:06	M43.2 - M43.3	Gsus4
01:07	M44.1	Gm
01:07	M44.2	Gsus2
01:08	M44.3	G5
01:08	M45.1	Dm
01:09	M45.2	Dsus2
01:09	M45.3	D5
01:10	M46.1	Am
01:10	M46.2	Asus2
01:11	M46.3	A5
01:12	M47.1	Em
01:12	M47.2	Esus2
01:13	M47.3	E5
01:13	M48.1	Dm(add9)
01:14	M48.2	F6
01:14	M48.3	Fmaj7
01:15 - 01:15	M49.1 - M49.2	Eb
01:16	M49.3	Eb6
01:16	M50.1	Gsus4
01:17	M50.2	Gm
01:17	M50.3	Bbadd9
01:18	M51.1	Fm7/Ab
01:18	M51.2	Abmaj7
01:19	M51.3	Ab5
01:19	M52.1	Gm
01:20	M52.2	Gsus4/C
01:20	M52.3	Bb
01:21	M53.1	Dm
01:21	M53.2	Asus4
01:22	M53.3	Dm/A
01:22	M54.1	Am
01:23	M54.2	Am7
01:24	M54.3	A5
01:24	M55.1	Fm
01:25	M55.2	Fm(add9)
01:25	M55.3	Fm(add9)/Ab
01:26	M56.1	Cm(add9)
01:26	M56.2	Cm
01:27	M56.3	Cm(add9)
01:27	M57.1	C#6
01:28	M57.2	C#maj7
01:28	M57.3	Gdim/C#
01:29	M58.1	Fm(add9)
01:29	M58.2	Fm
01:30	M58.3	Fm(add9)
01:30	M59.1	F#6
01:31	M59.2	F#5
01:31	M59.3	Ebm/F#
01:32	M60.1	C#maj7/F
01:32 - 01:33	M60.2 - M60.3	Fm7
01:33	M61.1	C#maj7/F
01:34 - 01:34	M61.2 - M61.3	Fm7
01:35	M62.1	C#maj7/F
01:36	M62.2	Ebadd9
01:36	M62.3	Cm7/G
01:37	M63.1	Fm/Ab
01:37 - 01:38	M63.2 - M63.3	Ab
01:38	M64.1	Fm/Ab
01:39 - 01:39	M64.2 - M64.3	Ab
01:40	M65.1	Fm/Ab
01:40	M65.2	Ebsus4
01:41	M65.3	Gm7
01:41	M66.1	C#maj7/F
01:42 - 01:42	M66.2 - M66.3	Fm7
01:43	M67.1	C#maj7/F
01:43 - 01:44	M67.2 - M67.3	Fm7
01:44	M68.1	C#maj7/F
01:45	M68.2	Ebadd9
01:45	M68.3	Cm7/G
01:46	M69.1	Fm/Ab
01:46 - 01:47	M69.2 - M69.3	Ab6
01:48	M70.1	Fsus4/Bb
01:48	M70.2	Abadd9/Bb
01:49	M70.3	Bbsus2
01:49	M71.1	Fm/Ab
01:50	M71.2	Ebsus4
01:50	M71.3	Eb6
01:51	M72.1	C#maj7
01:51	M72.2	C#/F
01:52	M72.3	Fm
01:52	M73.1	C#maj7
01:53	M73.2	C#/F
01:53	M73.3	Fm
01:54	M74.1	C#maj7
01:54	M74.2	Eb9/C#
01:55	M74.3	Eb6
01:55	M75.1	Fm
01:56	M75.2	Fm/Ab
01:56	M75.3	Ab
01:57	M76.1	Fm
01:57	M76.2	Fm/Ab
01:58	M76.3	Ab
01:58	M77.1	Fm
01:59	M77.2	Ebadd9
02:00	M77.3	Eb6
02:00	M78.1	C#maj7
02:01	M78.2	C#/F
02:01	M78.3	Fm
02:02	M79.1	C#maj7
02:02	M79.2	C#/F
02:03	M79.3	Fm
02:03	M80.1	C#maj7
02:04	M80.2	Eb9/C#
02:04	M80.3	Eb6
02:05	M81.1	C#/F
02:05	M81.2	Fm/Ab
02:06	M81.3	Ab
02:06	M82.1	Fm
02:07	M82.2	Fm/Ab
02:07	M82.3	Ab
02:08	M83.1	Eb
02:08	M83.2	Eb/G
02:09	M83.3	Gm/Bb
02:09	M84.1	Eb
02:10	M84.2	Eb/G
02:10	M84.3	Gm/Bb
02:11	M85.1	Ebmaj7
02:12	M85.2	Eb
02:12	M85.3	Ebmaj7
02:13 - 02:14	M86.1 - M86.3	Eb
02:14	M87.1	Ebmaj7
02:15	M87.2	Eb
02:15	M87.3	Ebmaj7
02:16	M88.1	Eb
02:16 - 02:17	M88.2 - M88.3	Eb5
02:17	M89.1	Ebmaj7
02:18	M89.2	Eb
02:18	M89.3	Ebmaj7
02:19 - 02:20	M90.1 - M90.3	Eb
02:20	M91.1	Ebmaj7
02:21	M91.2	Eb
02:21	M91.3	Ebmaj7
02:22	M92.1	Eb
02:22	M92.2	Eb6
02:23 - 02:24	M92.3 - M93.1	Ebmaj7
02:24 - 02:26	M93.2 - M94.3	Eb
02:27	M95.1	Cm9/Eb
02:27	M95.2	Eb
02:28	M95.3	Ebmaj7
02:28	M96.1	Cm(add9)/Eb
02:29 - 02:29	M96.2 - M96.3	F7/Eb

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.

Choral Chambers - Christopher Larkin

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Melody Distribution

Chord Progressions