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Fullmetal Alchemist: Brotherhood - Shunkan SentimentalInteractive lesson ready

Fullmetal Alchemist: Brotherhood - Shunkan Sentimental

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Fullmetal Alchemist: Brotherhood - Shunkan Sentimental.

130 BPM 4:28 A Major 1 tracks 1671 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

130 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo130 BPM
Duration4:28
Tracks1
Notes1671
Key / ScaleA Major
Pitch rangeC#2 (37) - A5 (81)
Range span44 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
F#Ebm(add9)/F#Esus2/F#Ebm/F#D/F#F#mD5/ABm7/AD/AD5/A
00:00 - 01:07
Early middle
Esus2/C#F#sus2F#m(add9)/C#F#sus4/C#C#sus4C#5Amaj7/AbF#m(add9)/AD/ADadd9/A
01:07 - 02:14
Late middle
F#m(add9)/C#C#sus4F#5C#sus4/AbC#5/AbF#m(add9)/AbDadd9/AD/AD5/AEsus4/A
02:14 - 03:21
Ending
Esus4Dsus2/ED5Bm9/DC#5C#/FEbm9/FEsus2Dadd9Dmaj7
03:21 - 04:28

Description & Musical Analysis

Practice Fullmetal Alchemist: Brotherhood - Shunkan Sentimental with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Brotherhood, Shunkan Sentimental and related collections.

How to Play & Trivia

Arrangement profile

Fullmetal Alchemist: Brotherhood - Shunkan Sentimental runs for 4:28 at 130 BPM. The file presents a fast pulse and 6.2 note events per second, which is a comparatively open note stream. The stored pitch range is C#2 (37) - A5 (81), a span of 44 semitones (about 3.7 octaves).

Tracks and instrumentation

The active MIDI tracks identify acoustic grand piano. 1 track contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes F#, Ebm(add9)/F#, Esus2/F#, Ebm/F#, D/F#, F#m, D5/A, Bm7/A, D/A, Esus4/B and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Listen through once at the stored tempo, then isolate the melody and accompaniment tracks. Use the chord timeline to mark transitions and the sheet view to confirm rhythm before combining the layers.

Related collections

For nearby material, continue through the Brotherhood, Shunkan Sentimental collections linked on this page.
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
A Major
Pitch Range
C#2 (37) - A5 (81)
Total Notes
1671

Note Distribution

C
12 0.7%
C#
271 16.2%
D
170 10.2%
Eb
5 0.3%
E
237 14.2%
F
41 2.5%
F#
258 15.4%
G
0 0.0%
Ab
159 9.5%
A
325 19.4%
Bb
0 0.0%
B
193 11.5%

Tracks & Instruments

TrackInstrumentNotes
Pianoacoustic grand piano1671

Chord Timeline

TimeBeatChord
00:00M1.1F#
00:00 - 00:00M1.2 - M1.3Ebm(add9)/F#
00:01M1.4Esus2/F#
00:01 - 00:02M2.1 - M2.2Ebm/F#
00:02M2.3D/F#
00:03M2.4F#m
00:03M3.1D5/A
00:04M3.2Bm7/A
00:04M3.3D/A
00:05M3.4D5/A
00:05M4.1Esus4/B
00:06M4.2Esus2/B
00:06M4.3Cmaj7/B
00:06M4.4Esus4/B
00:07 - 00:08M5.1 - M5.3F#5
00:08M5.4A6/C#
00:09M6.1C#m/Ab
00:09M6.2C#5
00:10M6.3Amaj7/Ab
00:10M6.4Amaj9/Ab
00:11M7.1D5/A
00:11M7.2Bm7/A
00:12M7.3D/A
00:12M7.4D5/A
00:12M8.1Esus4/B
00:13M8.2Esus2/B
00:13M8.3Esus2
00:14M8.4Esus2/B
00:14 - 00:16M9.1 - M10.1D/A
00:17 - 00:18M10.2 - M10.4D/F#
00:18M11.1C#sus4
00:18M11.2F#5/C#
00:19M11.3F#m/C#
00:19M11.4F#m(add9)/A
00:20 - 00:20M12.1 - M12.2C#sus4/Ab
00:21M12.3C#m/Ab
00:21M12.4C#
00:22 - 00:22M13.1 - M13.2D/A
00:23M13.3F#
00:23M13.4Esus2
00:24 - 00:24M14.1 - M14.2A5/E
00:24M14.3Asus4/E
00:25M14.4C#
00:25 - 00:26M15.1 - M15.2F#5/C#
00:26M15.3C#m
00:27M15.4Esus2
00:27M16.1C#sus4/Ab
00:28M16.2C#m/Ab
00:28M16.3D
00:29M16.4C#
00:29M17.1D5
00:30M17.2D5/A
00:30M17.3B
00:30M17.4Asus2
00:31M18.1Aadd9/E
00:31M18.2A/E
00:32 - 00:32M18.3 - M18.4A
00:33M19.1F#m
00:33M19.2F#5
00:34M19.3F#m/C#
00:34M19.4F#m(add9)
00:35M20.1Amaj9/C#
00:35M20.2F#m9/C#
00:36M20.3C#m/Ab
00:36M20.4C#m
00:36M21.1Dmaj9
00:37M21.2D
00:37M21.3Dadd9/A
00:38M21.4Dsus2
00:38M22.1A5/E
00:39M22.2A5
00:39M22.3Asus4
00:40M22.4A
00:40M23.1F#5
00:41 - 00:41M23.2 - M23.3F#5/C#
00:42M23.4Esus2/F#
00:42M24.1C#sus4
00:42M24.2C#m
00:43M24.3E7/Ab
00:43M24.4C#5
00:44M25.1D5/A
00:44M25.2D5
00:45M25.3Aadd9/B
00:45M25.4Esus4/B
00:46M26.1Esus4/A
00:46M26.2A5
00:47M26.3A5/E
00:47M26.4A5
00:48 - 00:49M27.1 - M27.4Eadd9/B
00:49 - 00:51M28.1 - M28.4E/B
00:51M29.1F#m9/C#
00:52M29.2F#sus2/C#
00:52M29.3F#5/C#
00:53M29.4C#sus4
00:53M30.1C#sus4/Ab
00:54 - 00:54M30.2 - M30.4C#5/Ab
00:55M31.1Dmaj9/A
00:55 - 00:56M31.2 - M31.3Dadd9/A
00:56M31.4D/A
00:57 - 00:58M32.1 - M32.4D5/A
00:59M33.1E7/B
00:59 - 01:00M33.2 - M33.3E/B
01:00M33.4C#m7/B
01:00 - 01:01M34.1 - M34.3C#
01:02M35.1F#
01:03M35.2Esus2
01:03M35.3Dadd9/A
01:04 - 01:04M35.4 - M36.1Dmaj7/A
01:05M36.2Dadd9/A
01:05M36.3Dadd9/E
01:06M36.4C#m7/B
01:06M37.1Esus2/B
01:06M37.2Bsus4
01:07M37.3Esus2/C#
01:07M37.4F#sus2
01:08M38.1F#m(add9)/C#
01:08M38.2F#sus4/C#
01:09M38.3C#sus4
01:09M38.4C#5
01:10 - 01:10M39.1 - M39.2Amaj7/Ab
01:11M39.3F#m(add9)/A
01:11 - 01:12M39.4 - M40.1D/A
01:12M40.2Dadd9/A
01:12M40.3Dadd9/E
01:13M40.4Esus2/B
01:13M41.1C#m7/E
01:14M41.2C#m7/B
01:14M41.3Aadd9/E
01:15M41.4A
01:15M42.1A/C#
01:16M42.2B9/A
01:16M42.3Faug/C#
01:17M42.4C#
01:17M43.1C#/F
01:18M43.2C#
01:18 - 01:19M43.3 - M44.1Dmaj7/A
01:19M44.2Dadd9/A
01:20M44.3Dadd9/E
01:20M44.4C#m7/B
01:21 - 01:21M45.1 - M45.2Esus2/B
01:22M45.3Esus2/C#
01:22M45.4F#sus2
01:23M46.1F#m(add9)/C#
01:23M46.2F#sus4/C#
01:24M46.3C#sus4
01:24M46.4C#5
01:24M47.1Amaj9/Ab
01:25M47.2Amaj7/Ab
01:25M47.3F#m(add9)/Ab
01:26 - 01:26M47.4 - M48.1D/A
01:27M48.2Dadd9/A
01:27 - 01:28M48.3 - M49.1D/A
01:29M49.2D6/A
01:29M49.3Bm7
01:30M49.4E5/B
01:30 - 01:31M50.1 - M50.3E/B
01:31M50.4E5/B
01:32M51.1E/B
01:32M51.2Eadd9/B
01:33M51.3D9/A
01:33M51.4Bm9/A
01:34M52.1D/A
01:34M52.2D5/A
01:35M52.3Bm9/A
01:35M52.4Esus4/B
01:36M53.1E5
01:36M53.2Esus2/B
01:36M53.3D6/B
01:37 - 01:38M53.4 - M54.3D/A
01:39 - 01:40M54.4 - M55.2D5/A
01:40M55.3Dmaj9/A
01:41M55.4A6/C#
01:41M56.1E
01:42M56.2F#
01:42M56.3C#m/E
01:42M56.4C#m/Ab
01:43M57.1E
01:43M57.2Esus2/F#
01:44M57.3D/A
01:44M57.4D5/A
01:45M58.1Asus2
01:45M58.2Asus2/B
01:46M58.3A5
01:46M58.4A5/E
01:48M59.3F#m9
01:48M59.4F#m/C#
01:48M60.1F#m/A
01:49M60.2E/Ab
01:49M60.3F#m9/Ab
01:50M60.4F#m(add9)/Ab
01:50M61.1F#m(add9)/A
01:51M61.2F#m/A
01:51M61.3Dadd9/A
01:52M61.4D/A
01:52M62.1F#m/A
01:53M62.2F#m(add9)/A
01:53M62.3Amaj9
01:54M62.4Aadd9/E
01:54M63.1Bm9/D
01:54M63.2Abm/B
01:55M63.3Abm7/B
01:55M63.4F#m/C#
01:56M64.1F#m
01:56M64.2F#5
01:57M64.3C#
01:57M64.4E6/C#
01:58M65.1Amaj7/C#
01:58M65.2Amaj9/C#
01:59M65.3Abdim
01:59M65.4D5/A
02:00M66.1Bm9/D
02:00M66.2Bm7/D
02:00M66.3A
02:01M66.4A5
02:01M67.1Asus2
02:02M67.2A
02:02M67.3F#m7/E
02:03M67.4F#m/C#
02:03M68.1F#m
02:04M68.2Abm7/F#

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.