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Gnossienne No. 1 - Érik SatieInteractive lesson ready

Gnossienne No. 1 - Érik Satie

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Gnossienne No. 1 - Érik Satie.

100 BPM 3:16 F Minor 2 tracks 832 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

100 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo100 BPM
Duration3:16
Tracks2
Notes832
Key / ScaleF Minor
Pitch rangeA#1 (34) - B5 (83)
Range span49 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
FAb6/FFm6FmC#7/FFmFdimFmFAb6/F
00:00 - 00:49
Early middle
FmFFmBbBbmBbm6BbBbmBbm6Fsus2
00:49 - 01:38
Late middle
FFmBbBbmBbm6BbBbmBbm6Fsus2Fm
01:38 - 02:27
Ending
FmF5Dm7b5/FFm(add9)FFmFFmFmMaj7F5
02:27 - 03:16

Description & Musical Analysis

Satie’s Gnossienne No. 1 pairs a wandering piano melody with spare, recurring figures. Follow the complete 3-minute-17-second MIDI, then explore the French performance cues printed in the 1913 score.

How to Play & Trivia

A piano piece shaped by its own directions

Gnossienne No. 1 is among Erik Satie’s most recognizable piano works. Its 1913 source edition does not rely on a standard tempo label alone: it also prints changing French cues such as “Du bout de la pensée” and “Pas à pas.” These brief phrases give the performer room to shape the flow instead of treating every line as a fixed, even pulse.

Listen and practice

Follow the melody through its repeated figures and give each phrase time to settle before the next one begins. The complete MIDI lasts 3 minutes and 17 seconds and contains 832 notes across two piano parts. Slower playback can help reveal the shifts in contour without losing the piece’s floating character.

Score and MIDI source

This follows Gnossienne No. 1, typeset by Knute Snortum from the 1913 Editions Salabert source. Mutopia publishes this edition under Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA 4.0). Credit the source and keep the same license when sharing adaptations. [View the Mutopia score and MIDI](https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=2035) · [Read the CC BY-SA 4.0 license](https://creativecommons.org/licenses/by-sa/4.0/).

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
F Minor
Pitch Range
A#1 (34) - B5 (83)
Total Notes
832

Note Distribution

C
174 20.9%
C#
36 4.3%
D
14 1.7%
Eb
14 1.7%
E
14 1.7%
F
254 30.5%
F#
0 0.0%
G
70 8.4%
Ab
176 21.2%
A
0 0.0%
Bb
64 7.7%
B
16 1.9%

Tracks & Instruments

TrackInstrumentNotes
upper:acoustic grand piano546
lower:acoustic grand piano286

Chord Timeline

TimeBeatChord
00:00M1.1F
00:00M1.2Ab6/F
00:01M1.3Fm6
00:01M1.4Fm
00:02M2.1C#7/F
00:03M2.2Fm
00:03M2.3Fdim
00:04M2.4Fm
00:04M3.1F
00:05M3.2Ab6/F
00:06M3.3Fm6
00:06M3.4Fm
00:07M4.1F
00:07 - 00:09M4.2 - M4.4Fm
00:09M5.1F
00:10M5.2Ab6/F
00:10M5.3Fm6
00:11M5.4Fm
00:12M6.1C#7/F
00:12M6.2Fm
00:13 - 00:13M6.3 - M6.4Fm(add9)
00:14M7.1C5
00:15 - 00:15M7.2 - M7.3Cm
00:16M7.4Cm/Eb
00:16M8.1Fsus2
00:17 - 00:18M8.2 - M8.4Fm
00:19M9.1F
00:19 - 00:21M9.2 - M9.4Fm
00:21M10.1F
00:22M10.2Ab6/F
00:22M10.3Fm6
00:23M10.4Fm
00:24M11.1C#7/F
00:24M11.2Fm
00:25M11.3Fdim
00:25M11.4Fm
00:26M12.1F
00:27M12.2Ab6/F
00:27M12.3Fm6
00:28M12.4Fm
00:28M13.1F
00:29 - 00:30M13.2 - M13.4Fm
00:31M14.1F
00:31M14.2Ab6/F
00:32M14.3Fm6
00:33M14.4Fm
00:33M15.1C#7/F
00:34M15.2Fm
00:34 - 00:35M15.3 - M15.4Fm(add9)
00:36M16.1C5
00:36 - 00:37M16.2 - M16.3Cm
00:37M16.4Cm/Eb
00:38M17.1Fsus2
00:39 - 00:40M17.2 - M17.4Fm
00:40M18.1F
00:41 - 00:42M18.2 - M18.4Fm
00:43M19.1Bb
00:43M19.2Bbm
00:44 - 00:45M19.3 - M19.4Bbm6
00:45M20.1Bb
00:46M20.2Bbm
00:46 - 00:47M20.3 - M20.4Bbm6
00:48M21.1Fsus2
00:48 - 00:49M21.2 - M21.4Fm
00:50M22.1F
00:51 - 00:52M22.2 - M22.4Fm
00:52M23.1Bb
00:53M23.2Bbm
00:54 - 00:54M23.3 - M23.4Bbm6
00:55M24.1Bb
00:55M24.2Bbm
00:56 - 00:57M24.3 - M24.4Bbm6
00:57M25.1Fsus2
00:58 - 00:59M25.2 - M25.4Fm
01:00M26.1F
01:00 - 01:01M26.2 - M26.4Fm
01:02M27.1F5
01:03M27.2Dm7b5/F
01:03 - 01:04M27.3 - M27.4Fm(add9)
01:04M28.1F
01:05 - 01:06M28.2 - M28.4Fm
01:07M29.1F
01:07M29.2Fm
01:08 - 01:09M29.3 - M29.4FmMaj7
01:09M30.1F5
01:10M30.2Fm
01:10M30.3Fdim
01:11M30.4Fm
01:12M31.1Fsus2
01:12 - 01:13M31.2 - M31.4Fm
01:14M32.1F
01:15 - 01:16M32.2 - M32.4Fm
01:16M33.1F5
01:17M33.2Dm7b5/F
01:18 - 01:18M33.3 - M33.4Fm(add9)
01:19M34.1F
01:19 - 01:21M34.2 - M34.4Fm
01:21M35.1F
01:22M35.2Fm
01:22 - 01:23M35.3 - M35.4FmMaj7
01:24M36.1F5
01:24M36.2Fm
01:25M36.3Fdim
01:25M36.4Fm
01:26M37.1Fsus2
01:27 - 01:28M37.2 - M37.4Fm
01:28M38.1F
01:29 - 01:30M38.2 - M38.4Fm
01:31M39.1Bb
01:31M39.2Bbm
01:32 - 01:33M39.3 - M39.4Bbm6
01:33M40.1Bb
01:34M40.2Bbm
01:34 - 01:35M40.3 - M40.4Bbm6
01:36M41.1Fsus2
01:36 - 01:37M41.2 - M41.4Fm
01:38M42.1F
01:39 - 01:40M42.2 - M42.4Fm
01:40M43.1Bb
01:41M43.2Bbm
01:42 - 01:42M43.3 - M43.4Bbm6
01:43M44.1Bb
01:43M44.2Bbm
01:44 - 01:45M44.3 - M44.4Bbm6
01:45M45.1Fsus2
01:46 - 01:47M45.2 - M45.4Fm
01:48M46.1F
01:48 - 01:49M46.2 - M46.4Fm
01:50M47.1F
01:51M47.2Ab6/F
01:51M47.3Fm6
01:52M47.4Fm
01:52M48.1C#7/F
01:53M48.2Fm
01:54M48.3Fdim
01:54M48.4Fm
01:55M49.1F
01:55M49.2Ab6/F
01:56M49.3Fm6
01:57M49.4Fm
01:57M50.1F
01:58 - 01:59M50.2 - M50.4Fm
02:00M51.1F
02:00M51.2Ab6/F
02:01M51.3Fm6
02:01M51.4Fm
02:02M52.1C#7/F
02:03M52.2Fm
02:03M52.3Fdim
02:04M52.4Fm
02:04M53.1F
02:05M53.2Ab6/F
02:06M53.3Fm6
02:06M53.4Fm
02:07M54.1F
02:07 - 02:09M54.2 - M54.4Fm
02:09M55.1Bb
02:10M55.2Bbm
02:10 - 02:11M55.3 - M55.4Bbm6
02:12M56.1Bb
02:12M56.2Bbm
02:13 - 02:13M56.3 - M56.4Bbm6
02:14M57.1Fsus2
02:15 - 02:16M57.2 - M57.4Fm
02:16M58.1F
02:17 - 02:18M58.2 - M58.4Fm
02:19M59.1Bb
02:19M59.2Bbm
02:20 - 02:21M59.3 - M59.4Bbm6
02:21M60.1Bb
02:22M60.2Bbm
02:22 - 02:23M60.3 - M60.4Bbm6
02:24M61.1Fsus2
02:24 - 02:25M61.2 - M61.4Fm
02:26M62.1F
02:27 - 02:28M62.2 - M62.4Fm
02:28M63.1F5
02:29M63.2Dm7b5/F
02:30 - 02:30M63.3 - M63.4Fm(add9)
02:31M64.1F
02:31 - 02:33M64.2 - M64.4Fm
02:33M65.1F
02:34M65.2Fm
02:34 - 02:35M65.3 - M65.4FmMaj7
02:36M66.1F5
02:36M66.2Fm
02:37M66.3Fdim
02:37M66.4Fm
02:38M67.1Fsus2
02:39 - 02:40M67.2 - M67.4Fm
02:40M68.1F
02:41 - 02:42M68.2 - M68.4Fm
02:43M69.1F5
02:43M69.2Dm7b5/F
02:44 - 02:45M69.3 - M69.4Fm(add9)
02:45M70.1F
02:46 - 02:47M70.2 - M70.4Fm
02:48M71.1F
02:48M71.2Fm
02:49 - 02:49M71.3 - M71.4FmMaj7
02:50M72.1F5
02:51M72.2Fm
02:51M72.3Fdim
02:52M72.4Fm
02:52M73.1Fsus2
02:53 - 02:54M73.2 - M73.4Fm
02:55M74.1F
02:55 - 02:57M74.2 - M74.4Fm
02:57M75.1Bb
02:58M75.2Bbm
02:58 - 02:59M75.3 - M75.4Bbm6
03:00M76.1Bb
03:00M76.2Bbm
03:01 - 03:01M76.3 - M76.4Bbm6
03:02M77.1Fsus2
03:03 - 03:04M77.2 - M77.4Fm
03:04M78.1F
03:05 - 03:06M78.2 - M78.4Fm
03:07M79.1Bb
03:07M79.2Bbm

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.