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Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Honeybee - Olivia Rodrigo.
Read the song by harmony, melody, rhythm, and section behavior.
These pages share tags, soundtrack context, or nearby catalog signals with this song and help you keep practicing inside the same musical universe.
| Track | Instrument | Notes |
|---|---|---|
| 573 | ||
| 546 |
| Time | Beat | Chord |
|---|---|---|
| 00:00 | M1.1 | F#5 |
| 00:00 | M1.2 | C#sus4 |
| 00:00 | M1.3 | A |
| 00:01 | M1.4 | C#m |
| 00:01 | M2.1 | B |
| 00:02 | M2.2 | Ebm/F# |
| 00:02 | M2.3 | F7/Eb |
| 00:02 | M2.4 | F#sus2 |
| 00:03 | M3.1 | E |
| 00:03 | M3.2 | B |
| 00:04 | M3.3 | Ab5 |
| 00:04 | M3.4 | B |
| 00:05 | M4.1 | A |
| 00:05 | M4.2 | E |
| 00:05 | M4.3 | F#m(add9)/Ab |
| 00:06 | M4.4 | C#m/E |
| 00:06 | M5.1 | F#5 |
| 00:07 | M5.2 | C# |
| 00:07 | M5.3 | A |
| 00:07 | M5.4 | C#m(add9) |
| 00:08 | M6.1 | B |
| 00:08 | M6.2 | Ebm/F# |
| 00:09 | M6.3 | C#m(add9)/Eb |
| 00:09 | M6.4 | Ebm/F# |
| 00:10 | M7.1 | C#m(add9)/E |
| 00:10 | M7.2 | Abm/B |
| 00:10 | M7.3 | Abm |
| 00:11 | M7.4 | B |
| 00:11 | M8.1 | A |
| 00:12 | M8.2 | C#m/E |
| 00:12 | M8.3 | Amaj7/Ab |
| 00:12 | M8.4 | C#m/E |
| 00:13 | M9.1 | F#5 |
| 00:13 | M9.2 | C# |
| 00:14 | M9.3 | A |
| 00:14 | M9.4 | C#m(add9) |
| 00:15 | M10.1 | B |
| 00:15 | M10.2 | Ebm/F# |
| 00:15 | M10.3 | C#m(add9)/Eb |
| 00:16 | M10.4 | Ebm/F# |
| 00:16 | M11.1 | C#m(add9)/E |
| 00:17 | M11.2 | Abm/B |
| 00:17 | M11.3 | Abm |
| 00:17 | M11.4 | B |
| 00:18 | M12.1 | A |
| 00:18 | M12.2 | C#m/E |
| 00:19 | M12.3 | C#m/Ab |
| 00:19 | M12.4 | Esus2 |
| 00:20 | M13.1 | F#5 |
| 00:20 | M13.2 | C# |
| 00:20 | M13.3 | Asus2 |
| 00:21 | M13.4 | F#sus4/C# |
| 00:21 | M14.1 | B |
| 00:22 | M14.2 | F#sus4 |
| 00:22 | M14.3 | B/Eb |
| 00:22 | M14.4 | Abm7/F# |
| 00:23 | M15.1 | E5 |
| 00:23 | M15.2 | B |
| 00:24 | M15.3 | Abm |
| 00:24 | M15.4 | E6/B |
| 00:25 | M16.1 | A |
| 00:25 | M16.2 | C#m/E |
| 00:25 | M16.3 | E/Ab |
| 00:26 | M16.4 | Esus2 |
| 00:26 | M17.1 | F#5 |
| 00:27 | M17.2 | C# |
| 00:27 | M17.3 | Asus2 |
| 00:27 | M17.4 | C#5 |
| 00:28 | M18.1 | B |
| 00:28 | M18.2 | F#sus4 |
| 00:29 | M18.3 | F7/Eb |
| 00:29 | M18.4 | F#sus2 |
| 00:30 | M19.1 | E |
| 00:30 | M19.2 | Bsus4 |
| 00:30 | M19.3 | Ebm |
| 00:31 | M19.4 | Abm7/B |
| 00:31 | M20.1 | C#sus4 |
| 00:32 | M20.2 | Eadd9/Ab |
| 00:32 - 00:32 | M20.3 - M20.4 | E |
| 00:33 | M21.1 | F#5 |
| 00:33 | M21.2 | A/C# |
| 00:34 | M21.3 | A |
| 00:34 | M21.4 | C#5 |
| 00:35 | M22.1 | B5 |
| 00:35 | M22.2 | F#m |
| 00:35 | M22.3 | B7 |
| 00:36 | M22.4 | Abm7/F# |
| 00:36 | M23.1 | E |
| 00:37 | M23.2 | Abm/B |
| 00:37 | M23.3 | Abm/Eb |
| 00:37 | M23.4 | B5 |
| 00:38 | M24.1 | C#m |
| 00:38 | M24.2 | Absus4 |
| 00:39 | M24.3 | E6 |
| 00:39 | M24.4 | C#m/Ab |
| 00:40 | M25.1 | F# |
| 00:40 | M25.2 | A/C# |
| 00:40 | M25.3 | A |
| 00:41 | M25.4 | C#5 |
| 00:41 | M26.1 | B5 |
| 00:42 | M26.2 | F#m |
| 00:42 | M26.3 | B7 |
| 00:42 | M26.4 | Abm7/F# |
| 00:43 | M27.1 | E |
| 00:43 | M27.2 | Abm/B |
| 00:44 | M27.3 | Abm/Eb |
| 00:44 | M27.4 | B5 |
| 00:45 | M28.1 | C#m |
| 00:45 | M28.2 | E/Ab |
| 00:45 | M28.3 | E6 |
| 00:46 | M28.4 | C#m/Ab |
| 00:46 | M29.1 | F# |
| 00:47 | M29.2 | C#sus4 |
| 00:47 | M29.3 | A6 |
| 00:47 | M29.4 | C#sus4 |
| 00:48 | M30.1 | B |
| 00:48 | M30.2 | F#sus4 |
| 00:49 | M30.3 | Abm/Eb |
| 00:49 | M30.4 | F#m |
| 00:50 | M31.1 | E5 |
| 00:50 | M31.2 | Bsus4 |
| 00:50 | M31.3 | B/Eb |
| 00:51 | M31.4 | B7 |
| 00:51 | M32.1 | C#m |
| 00:52 | M32.2 | E/Ab |
| 00:52 | M32.3 | E |
| 00:52 | M32.4 | Ab |
| 00:53 | M33.1 | F# |
| 00:53 | M33.2 | C#sus4 |
| 00:54 | M33.3 | A6 |
| 00:54 | M33.4 | C#sus4 |
| 00:55 | M34.1 | B |
| 00:55 | M34.2 | F#sus4 |
| 00:55 | M34.3 | Abm/Eb |
| 00:56 | M34.4 | F#m |
| 00:56 | M35.1 | E5 |
| 00:57 | M35.2 | Bsus4 |
| 00:57 | M35.3 | B/Eb |
| 00:57 | M35.4 | B7 |
| 00:58 | M36.1 | C#m |
| 00:58 | M36.2 | E/Ab |
| 00:59 | M36.3 | Esus4 |
| 00:59 | M36.4 | Ab5 |
| 01:00 - 01:01 | M37.1 - M37.4 | F#5 |
| 01:01 - 01:02 | M38.1 - M38.4 | B |
| 01:03 | M39.1 | B5 |
| 01:03 | M39.2 | Bsus4 |
| 01:04 | M39.3 | F#5 |
| 01:04 | M39.4 | C# |
| 01:05 | M40.1 | A |
| 01:05 | M40.2 | C#m(add9) |
| 01:05 | M40.3 | B |
| 01:06 | M40.4 | Ebm/F# |
| 01:06 | M41.1 | Eb |
| 01:07 | M41.2 | Ebm/F# |
| 01:07 | M41.3 | C#m(add9)/E |
| 01:07 | M41.4 | Abm/B |
| 01:08 | M42.1 | Abm |
| 01:08 | M42.2 | B |
| 01:09 | M42.3 | A |
| 01:09 | M42.4 | C#m/E |
| 01:10 | M43.1 | E/Ab |
| 01:10 | M43.2 | C#m/E |
| 01:10 | M43.3 | F#5 |
| 01:11 | M43.4 | C# |
| 01:11 | M44.1 | A |
| 01:12 | M44.2 | C#m(add9) |
| 01:12 | M44.3 | B |
| 01:12 | M44.4 | Ebm/F# |
| 01:13 | M45.1 | Eb |
| 01:13 | M45.2 | Ebm/F# |
| 01:14 | M45.3 | C#m(add9)/E |
| 01:14 | M45.4 | Abm/B |
| 01:15 | M46.1 | Abm |
| 01:15 | M46.2 | Bsus2 |
| 01:15 | M46.3 | A |
| 01:16 | M46.4 | C#m/E |
| 01:16 | M47.1 | E/Ab |
| 01:17 | M47.2 | Esus2 |
| 01:17 | M47.3 | F#5 |
| 01:17 | M47.4 | C# |
| 01:18 | M48.1 | Asus2 |
| 01:18 | M48.2 | F#sus4/C# |
| 01:19 | M48.3 | B |
| 01:19 | M48.4 | F#sus4 |
| 01:20 | M49.1 | B/Eb |
| 01:20 | M49.2 | Abm7/F# |
| 01:20 | M49.3 | E5 |
| 01:21 | M49.4 | Bsus4 |
| 01:21 | M50.1 | E/Ab |
| 01:22 | M50.2 | Bsus2 |
| 01:22 | M50.3 | A |
| 01:22 | M50.4 | C#m/E |
| 01:23 | M51.1 | Abm |
| 01:23 | M51.2 | E6 |
| 01:24 | M51.3 | F#5 |
| 01:24 | M51.4 | C# |
| 01:25 | M52.1 | Asus2 |
| 01:25 | M52.2 | C#5 |
| 01:25 | M52.3 | B |
| 01:26 | M52.4 | F#sus4 |
| 01:26 | M53.1 | F7/Eb |
| 01:27 | M53.2 | F#sus2 |
| 01:27 | M53.3 | E |
| 01:27 | M53.4 | B5 |
| 01:28 | M54.1 | Ebm |
| 01:28 | M54.2 | E/B |
| 01:29 | M54.3 | C#sus4 |
| 01:29 | M54.4 | Eadd9/Ab |
| 01:30 | M55.1 | E |
| 01:30 | M55.2 | C#m(add9)/E |
| 01:30 | M55.3 | F#5 |
| 01:31 | M55.4 | F#m |
| 01:31 | M56.1 | F#m/C# |
| 01:32 | M56.2 | F#m(add9)/C# |
| 01:32 | M56.3 | B5 |
| 01:32 | M56.4 | Asus2/B |
| 01:33 | M57.1 | B7/Eb |
| 01:33 | M57.2 | Abm7/Eb |
| 01:34 - 01:34 | M57.3 - M57.4 | E |
The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.
