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Hungarian Rhapsody No. 2 - Franz LisztInteractive lesson ready

Hungarian Rhapsody No. 2 - Franz Liszt

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Hungarian Rhapsody No. 2 - Franz Liszt.

170 BPM 1:23 C# Major 3 tracks 5310 notes
Franz LisztClassical
Image: Albert, Joseph·Public domain

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

170 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo170 BPM
Duration1:23
Tracks3
Notes5310
Key / ScaleC# Major
Pitch rangeB0 (23) - F#7 (102)
Range span79 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
Absus4C#7C#augC#7/BF#5F#m/C#Amaj7/C#F#5Absus4C#7
00:00 - 00:20
Early middle
C#7/AbC#7/BBbm/C#F#/BbF#/C#C#sus2C#7sus2/EbC#9Badd9/EbF#/Bb
00:20 - 00:41
Late middle
F#/C#F#C#maj7E6/FBbmMaj7/FC#F#maj7Ebm9/F#Ebm7/C#Dmaj7/C#
00:41 - 01:02
Ending
Ebm(add9)/F#Absus4Fm/AbF#sus2Abm(add9)/BbC#sus4BbmBAbmFm
01:02 - 01:23

Description & Musical Analysis

Practice Hungarian Rhapsody No. 2 - Franz Liszt with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Franz Liszt, Classical and related collections.

How to Play & Trivia

Arrangement profile

Hungarian Rhapsody No. 2 - Franz Liszt runs for 1:23 at 170 BPM. The file presents a fast pulse and 63.3 note events per second, which is a dense stream of note events. The stored pitch range is B0 (23) - F#7 (102), a span of 79 semitones (about 6.6 octaves).

Tracks and instrumentation

The active MIDI tracks identify acoustic grand piano, bright acoustic piano. 3 tracks contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes Absus4, C#7, C#aug, C#7/B, F#5, F#m/C#, Amaj7/C#, F#m, C#, F#/C# and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Begin below the stored tempo, isolate the busiest track, and raise the speed only after the repeating figures stay even. Compare the keyboard and sheet views before combining the layers.

Related collections

For nearby material, continue through the Franz Liszt, Classical collections linked on this page.

Explore related collections

Franz LisztMore songsClassicalMore songs
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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Once Upon a December - Anastasia

138 BPM 2:34
Anastasia

MIDI Technical Specifications

Key / Scale
C# Major
Pitch Range
B0 (23) - F#7 (102)
Total Notes
5310

Note Distribution

C
174 3.3%
C#
2124 40.0%
D
30 0.6%
Eb
249 4.7%
E
15 0.3%
F
432 8.1%
F#
795 15.0%
G
42 0.8%
Ab
423 8.0%
A
102 1.9%
Bb
537 10.1%
B
387 7.3%

Tracks & Instruments

TrackInstrumentNotes
Pianoacoustic grand piano1770
Pianobright acoustic piano1770
Pianoacoustic grand piano1770

Chord Timeline

TimeBeatChord
00:00M2.1Absus4
00:01M2.2C#7
00:01M3.1C#aug
00:01M3.2C#7/B
00:02M4.1F#5
00:02M4.2F#m/C#
00:02M5.1Amaj7/C#
00:03M5.2F#5
00:03M6.1Absus4
00:03M6.2C#7
00:04M7.1C#aug
00:04M7.2C#7
00:04 - 00:05M8.1 - M8.2F#m/C#
00:05M9.1Amaj7/C#
00:06M9.2F#m
00:06M10.1Absus4
00:06M10.2C#7
00:07M11.1C#
00:07M11.2C#7
00:07M12.1F#5
00:08M12.2F#/C#
00:08M13.1C#
00:08M13.2F#/C#
00:09M14.1C#7/Ab
00:09 - 00:10M14.2 - M15.2C#7
00:10M16.1F#
00:10M16.2F#/C#
00:11M17.1F#
00:11M17.2F#/C#
00:12 - 00:12M18.1 - M18.2C#7
00:12M19.1C#7/Ab
00:13M19.2C#7
00:13 - 00:14M20.1 - M21.2F#/C#
00:14M22.1C#/Ab
00:15M22.2C#7
00:15M23.1C#maj7/Ab
00:15M23.2C#7/B
00:16M24.1F#
00:16M24.2F#/Bb
00:16M25.1F#
00:17M25.2F#/Bb
00:17M26.1C#add9
00:18M26.2C#9/Eb
00:18M27.1C#7
00:18M27.2C#11/Eb
00:19M28.1Ab11/Bb
00:19M28.2F#
00:19M29.1Bbm(add9)/F#
00:20M29.2F#/C#
00:20M30.1C#
00:20M30.2C#7/B
00:21M31.1C#7/Ab
00:21M31.2C#7/B
00:21M32.1Bbm/C#
00:22M32.2F#/Bb
00:22 - 00:22M33.1 - M33.2F#/C#
00:23M34.1C#sus2
00:23M34.2C#7sus2/Eb
00:24M35.1C#9
00:24M35.2Badd9/Eb
00:24M36.1F#/Bb
00:25M36.2F#/C#
00:25M37.1Bbm/C#
00:25M37.2F#6
00:26M38.1Badd9/C#
00:26M38.2B/F#
00:26M39.1Badd9
00:27M39.2Ebm7/C#
00:27M40.1F#
00:27M40.2C#sus4
00:28M41.1F#/Bb
00:28M41.2Bmaj9/C#
00:28M42.1B
00:29M42.2Ebm7/F#
00:29M43.1B
00:30M43.2Ebm7
00:30M44.1F#/Bb
00:30M44.2C#sus4
00:31M45.1F#
00:31M45.2F#/C#
00:31M46.1C#maj7/Ab
00:32M46.2C#
00:32M47.1C#/Ab
00:32M47.2C#
00:33M48.1F#
00:33M48.2F#/C#
00:33M49.1Bbm(add9)
00:34M49.2F#
00:34M50.1C#maj7/Ab
00:34M50.2C#
00:35M51.1C#maj7/Ab
00:35M51.2C#7
00:36M52.1F#/Bb
00:36 - 00:36M52.2 - M53.1F#
00:37M53.2C#sus4/F#
00:37M54.1Badd9/Eb
00:37 - 00:38M54.2 - M55.1Badd9/C#
00:38M55.2Badd9
00:38M56.1Bbm/C#
00:39M56.2BbmMaj7/C#
00:39M57.1F#
00:39M57.2F#/C#
00:40M58.1Badd9/F#
00:40M58.2Bmaj9/C#
00:40 - 00:41M59.1 - M59.2Badd9/Eb
00:41M60.1Bbm/C#
00:42 - 00:42M60.2 - M61.1F#/C#
00:42M61.2F#
00:43M62.1C#maj7
00:43M62.2E6/F
00:43M63.1BbmMaj7/F
00:44M63.2C#
00:44M64.1F#maj7
00:44M64.2Ebm9/F#
00:45M65.1Ebm7/C#
00:45M65.2Dmaj7/C#
00:45M66.1C#maj7
00:46M66.2E6/F
00:46M67.1C#6/F
00:46M67.2C#7/F
00:47M68.1F#maj7
00:47M68.2Ebm9/E
00:48M69.1Ebm7/F#
00:48M69.2F#/C#
00:48M70.1C#/Ab
00:49M70.2C#
00:49M71.1C#maj7/F
00:49M71.2C#7/F
00:50 - 00:50M72.1 - M72.2F#
00:50M73.1F#/C#
00:51M73.2F#
00:51M74.1C#7/F
00:51M74.2C#7
00:52 - 00:52M75.1 - M75.2C#7/F
00:52M76.1F#
00:53 - 00:53M76.2 - M77.1F#/C#
00:54 - 00:54M77.2 - M78.2F#
00:55M79.1F#m/A
00:55M79.2A
00:55M80.1Ab5
00:56M80.2Bdim
00:56M81.1C#9
00:56M81.2C#11/Eb
00:57M82.1F#maj9
00:57M82.2F#add9
00:57 - 00:58M83.1 - M83.2A
00:58M84.1Amaj7/Ab
00:58M84.2Bm(add9)
00:59M85.1C#
00:59M85.2C#11/Eb
01:00M86.1F#maj9
01:00M86.2F#add9/C#
01:00M87.1F#m(add9)
01:01M87.2A
01:01M88.1Amaj7/Ab
01:01M88.2C#7
01:02 - 01:02M89.1 - M89.2C#
01:02M90.1C#sus2
01:03M90.2Ebm(add9)/F#
01:03M91.1Absus4
01:03M91.2Fm/Ab
01:04M92.1F#sus2
01:04M92.2Abm(add9)/Bb
01:04M93.1C#sus4
01:05M93.2Bbm
01:05M94.1B
01:06M94.2Abm
01:06M95.1Fm
01:06M95.2C#
01:07M96.1F#
01:07M96.2C#sus4
01:07M97.1Bbm
01:08M97.2F#
01:08M98.1C#sus2
01:08M98.2Ebm(add9)/F
01:09M99.1Absus4
01:09M99.2C#/Ab
01:09M100.1F#add9
01:10M100.2Abm(add9)/Bb
01:10M101.1C#sus4
01:10M101.2F#/Bb
01:11M102.1C#add9
01:11M102.2Ebm(add9)/F
01:12M103.1Absus4
01:12M103.2C#/Ab
01:12M104.1F#sus2
01:13M104.2Abm(add9)/Bb
01:13M105.1Bbm(add9)/C#
01:13M105.2F#/Bb
01:14M106.1B
01:14M106.2Abm
01:14M107.1Fm
01:15M107.2C#
01:15M108.1Bbm
01:15M108.2F#
01:16M109.1Ebm
01:16M109.2B
01:16M110.1Abm
01:17M110.2Bb7sus2/F
01:17M111.1C#
01:18M111.2Bbm
01:18M112.1F#
01:18M112.2Ebm/F#
01:19 - 01:19M113.1 - M113.2B
01:19M114.1B/Eb
01:20M114.2C#11/Eb
01:20M115.1C#7
01:20M115.2F#maj9/C#
01:21 - 01:21M116.1 - M117.1F#/C#
01:22 - 01:23M117.2 - M119.2F#