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In the Hall of the Mountain King - Edvard GriegInteractive lesson ready

In the Hall of the Mountain King - Edvard Grieg

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for In the Hall of the Mountain King - Edvard Grieg.

120 BPM 2:17 B Minor 1 tracks 1439 notes
Edvard GriegOrchestral
Image: Norsk olje og gass·CC BY-SA 2.0

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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00:00
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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

120 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo120 BPM
Duration2:17
Tracks1
Notes1439
Key / ScaleB Minor
Pitch rangeB0 (23) - D#7 (99)
Range span76 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
F#BDmaj7/C#Bsus4/ED/F#C#7/FC#11/FCmaj7/EEsus2Bsus2
00:00 - 00:34
Early middle
C#Bsus2Dadd9Bm/F#C#7/FC#11Bsus4/EAm6/EBsus2Dmaj9
00:34 - 01:08
Late middle
Bbm(add9)/C#F#sus2F#11/BbF#/C#Dmaj7/C#BbaugF#F#/C#Ab11/BbF#
01:08 - 01:42
Ending
E6/9/F#Dmaj7/F#Dmaj7Dmaj7/C#Dmaj9/EEbm11/F#Ebm9/F#Ebm7Ebm9/C#Ebm11/F#
01:42 - 02:17

Description & Musical Analysis

Practice In the Hall of the Mountain King - Edvard Grieg with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Edvard Grieg, Orchestral and related collections.

How to Play & Trivia

Arrangement profile

In the Hall of the Mountain King - Edvard Grieg runs for 2:17 at 120 BPM. The file presents a moderate pulse and 10.5 note events per second, which is a moderately busy note stream. The stored pitch range is B0 (23) - D#7 (99), a span of 76 semitones (about 6.3 octaves).

Tracks and instrumentation

The active MIDI tracks identify acoustic grand piano. 1 track contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes F#, B, Dmaj7/C#, Bsus4/E, D/F#, C#7/F, C#11/F, Cmaj7/E, Esus2, Bsus2 and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Listen through once at the stored tempo, then isolate the melody and accompaniment tracks. Use the chord timeline to mark transitions and the sheet view to confirm rhythm before combining the layers.

Related collections

For nearby material, continue through the Edvard Grieg, Orchestral collections linked on this page.

Explore related collections

Edvard GriegMore songsOrchestralMore songs
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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138 BPM 2:34
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MIDI Technical Specifications

Key / Scale
B Minor
Pitch Range
B0 (23) - D#7 (99)
Total Notes
1439

Note Distribution

C
28 1.9%
C#
169 11.7%
D
202 14.0%
Eb
22 1.5%
E
63 4.4%
F
76 5.3%
F#
322 22.4%
G
35 2.4%
Ab
46 3.2%
A
101 7.0%
Bb
93 6.5%
B
282 19.6%

Tracks & Instruments

TrackInstrumentNotes
A.PIANO 1acoustic grand piano1439

Chord Timeline

TimeBeatChord
00:02 - 00:04M2.1 - M3.1F#
00:05M3.4B
00:06M4.1Dmaj7/C#
00:06M4.2Bsus4/E
00:07M4.3D/F#
00:07M4.4C#7/F
00:08M5.1C#11/F
00:08M5.2Cmaj7/E
00:09M5.3Esus2
00:09M5.4Bsus2
00:10M6.1Dadd9/E
00:10M6.2Bm/F#
00:11M6.3Bm7/F#
00:11M6.4D/A
00:12M7.1D/F#
00:12M7.2A
00:13M7.3B
00:13M7.4Dmaj7
00:14M8.1E7sus2/F#
00:14M8.2F#
00:15M8.3C#7/B
00:15M8.4Ebm(add9)/F#
00:16M9.1Cmaj7/B
00:16M9.2F#7sus4
00:17M9.3Dmaj7
00:17M9.4Bsus4/E
00:18M10.1D/F#
00:18M10.2D6/A
00:19M10.3D/A
00:19 - 00:20M10.4 - M11.1A
00:20M11.2F#sus2
00:21M11.3Bbm/C#
00:21M11.4F#
00:22M12.1C#5
00:22M12.2Bb
00:23M12.3Dmaj7
00:23M12.4Bbm/C#
00:24M13.1F#
00:24M13.2Abm11
00:25M13.3F#/C#
00:25M13.4C#
00:26M14.1Bb/D
00:26M14.2Bbaug
00:27M14.3C#
00:27M14.4F#5/C#
00:28M15.1Bbm7/Ab
00:28M15.2F#sus4/B
00:29M15.3C#
00:29M15.4Bb/D
00:30M16.1Bb
00:30M16.2F#
00:31M16.3F#5/C#
00:31M16.4Bbm7/Ab
00:32M17.1F#sus4/C#
00:32M17.2Bbm/C#
00:33M17.3Bb/D
00:33M17.4Bb
00:34 - 00:34M18.1 - M18.2C#
00:35M18.3Bsus2
00:35M18.4Dadd9
00:36M19.1Bm/F#
00:36M19.2C#7/F
00:37M19.3C#11
00:37M19.4Bsus4/E
00:38M20.1Am6/E
00:38M20.2Bsus2
00:39M20.3Dmaj9
00:39M20.4Bm/F#
00:40M21.1F#sus4
00:40 - 00:41M21.2 - M21.3D/A
00:41M21.4A
00:42M22.1B
00:42M22.2Dmaj7/C#
00:43M22.3Bsus4/F#
00:43M22.4D/F#
00:44M23.1C#7/F
00:44M23.2Ebm(add9)/F
00:45M23.3Cmaj7/E
00:45M23.4Esus2/F#
00:46M24.1Bsus2
00:46M24.2D6/9/B
00:47M24.3D11/F#
00:47M24.4F#sus4
00:48M25.1E7sus2/D
00:48M25.2B
00:49 - 00:49M25.3 - M25.4Bsus2
00:50M26.1E7sus2/F#
00:50M26.2D6/F#
00:51M26.3Bm/F#
00:51M26.4C#11
00:52M27.1Cmaj7/B
00:52M27.2Esus2/F#
00:53M27.3Bsus2
00:53M27.4E7sus2/D
00:54M28.1Dm
00:54M28.2D6/B
00:55M28.3F#m(add9)/A
00:55M28.4D5/A
00:56M29.1Asus2/B
00:56M29.2Dmaj7
00:57M29.3D6/9/B
00:57M29.4D/F#
00:58M30.1C#7/F
00:58M30.2C#11/F
00:59M30.3C11
00:59M30.4F#7sus4/E
01:00M31.1Dadd9
01:00M31.2Bm/F#
01:01M31.3D6
01:01M31.4F#m(add9)
01:02M32.1D5/A
01:02M32.2F#m(add9)/Ab
01:03M32.3F#add9
01:03M32.4F#11/C#
01:04M33.1F#/Bb
01:04M33.2Bb/D
01:05M33.3Daug
01:05M33.4F#/Bb
01:06M34.1F#
01:06M34.2Ab11/Bb
01:07 - 01:07M34.3 - M34.4F#/C#
01:08M35.1Daug
01:08M35.2Dmaj7
01:09M35.3Bbm(add9)/C#
01:09M35.4F#sus2
01:10M36.1F#11/Bb
01:10M36.2F#/C#
01:11M36.3Dmaj7/C#
01:11M36.4Bbaug
01:12M37.1F#
01:12M37.2F#/C#
01:13M37.3Ab11/Bb
01:13M37.4F#
01:14M38.1F#/C#
01:14M38.2Daug
01:15M38.3Dmaj7
01:15M38.4Bbm(add9)/C#
01:16M39.1C#7/B
01:16M39.2Dadd9
01:17M39.3Bm/F#
01:17M39.4B5/F#
01:18M40.1C#11
01:18M40.2Bsus4/F
01:19M40.3Esus2/F#
01:19M40.4C#11/B
01:20M41.1E7sus2/D
01:20M41.2Bm/F#
01:21M41.3Dm6
01:21M41.4F#m(add9)/Ab
01:22M42.1D5/A
01:22M42.2Bm6/Ab
01:23M42.3Bm(add9)/F
01:23M42.4Bsus4
01:24M43.1D/F
01:24M43.2C#11/F#
01:25M43.3C#11/F
01:25M43.4Bsus4
01:26M44.1Bsus4/F
01:26M44.2Bm(add9)
01:27M44.3B7sus4/A
01:27M44.4Gmaj7
01:28M45.1E7sus2/F#
01:28M45.2E7sus2/D
01:29M45.3Bm(add9)/C#
01:29M45.4Aadd9/B
01:30M46.1Em11/G
01:30M46.2D6/B
01:31M46.3F#sus4/B
01:31M46.4G7/B
01:32M47.1Am(add9)/B
01:32M47.2Bsus4
01:33M47.3Em11/G
01:33M47.4Gmaj9/B
01:34M48.1Bm9/D
01:34M48.2Bm7/D
01:35M48.3Bm9/A
01:35M48.4Aadd9/B
01:36M49.1D6/9/B
01:36M49.2Gmaj7/B
01:37M49.3A9/B
01:37M49.4Am(add9)/B
01:38M50.1F#m11/B
01:38M50.2Em9/G
01:39M50.3Gmaj9/B
01:39M50.4Bm9/C#
01:40M51.1Bm7/A
01:40M51.2F#m9
01:41M51.3Bm(add9)/F#
01:41M51.4Dmaj7
01:42M52.1Daug
01:42M52.2Dmaj7/C#
01:43M52.3E6/9/F#
01:43M52.4Dmaj7/F#
01:44M53.1Dmaj7
01:44M53.2Dmaj7/C#
01:45M53.3Dmaj9/E
01:45M53.4Ebm11/F#
01:46M54.1Ebm9/F#
01:46M54.2Ebm7
01:47 - 01:47M54.3 - M54.4Ebm9/C#
01:48M55.1Ebm11/F#
01:48M55.2Ebm9/F#
01:49M55.3Ebm7
01:49M55.4Ebm9/F#
01:50M56.1Ebm9/C#
01:50M56.2A11/B
01:51M56.3Em11/A
01:51M56.4A13/B
01:52M57.1Am9/B
01:52 - 01:53M57.2 - M57.3Em11/B
01:53M57.4Gmaj9/D
01:54 - 01:54M58.1 - M58.2Bm9/A
01:55M58.3A13
01:55M58.4Gmaj9/A
01:56M59.1A13
01:56M59.2Am9
01:57M59.3Bm11/A
01:57M59.4Gmaj9/A
01:58M60.1Gmaj9/B
01:58M60.2F#m11/B

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.