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Parasyte -the maxim- - Next To YouInteractive lesson ready

Parasyte -the maxim- - Next To You

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Parasyte -the maxim- - Next To You.

110 BPM 3:38 G Major 1 tracks 1684 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

110 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo110 BPM
Duration3:38
Tracks1
Notes1684
Key / ScaleG Major
Pitch rangeF2 (41) - D#6 (87)
Range span46 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
EmEm/BAm7/CDsus4Dadd9D6EmEm/BAm7/CD
00:00 - 00:54
Early middle
DDsus4Bm/DE5EmEsus2EmD/F#F#mF#5
00:54 - 01:49
Late middle
Esus2/F#G6Gsus2Am9/CCadd9/GEmEm(add9)C5D7/CEm(add9)
01:49 - 02:43
Ending
Ebsus4Ebadd9Cm7/BbFm(add9)FmBbm9/C#Bbm7/C#EbEbsus4Cm7/Bb
02:43 - 03:38

Description & Musical Analysis

How to Play & Trivia

Start with Em chord on piano, emphasizing the melancholic mood of the song

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

MIDI Technical Specifications

Key / Scale
G Major
Pitch Range
F2 (41) - D#6 (87)
Total Notes
1684

Note Distribution

C
201 11.9%
C#
66 3.9%
D
243 14.4%
Eb
109 6.5%
E
190 11.3%
F
80 4.8%
F#
119 7.1%
G
260 15.4%
Ab
84 5.0%
A
143 8.5%
Bb
52 3.1%
B
137 8.1%

Tracks & Instruments

TrackInstrumentNotes
SmartMusic SoftSynthacoustic grand piano1684

Chord Timeline

TimeBeatChord
00:00M1.1Em
00:00M1.2Em/B
00:01 - 00:01M1.3 - M1.4Am7/C
00:02 - 00:02M2.1 - M2.2Dsus4
00:03M2.3Dadd9
00:03M2.4D6
00:04M3.1Em
00:04M3.2Em/B
00:05 - 00:06M3.3 - M3.4Am7/C
00:06 - 00:07M4.1 - M4.2D
00:07M4.3D5
00:08M4.4Bm7/A
00:08M5.1Em
00:09M5.2Em7/B
00:09 - 00:10M5.3 - M5.4Am7/C
00:10M6.1D
00:11M6.2D/A
00:12M6.3G5
00:12M6.4Bm7/D
00:13M7.1Em7
00:13M7.2Bsus4/E
00:14 - 00:14M7.3 - M7.4Am7/C
00:15 - 00:15M8.1 - M8.2D
00:16M8.3D7
00:16M8.4Esus2
00:17 - 00:18M9.1 - M9.2Em
00:18 - 00:19M9.3 - M9.4Am/C
00:19 - 00:20M10.1 - M10.2Dsus4
00:20M10.3Em9/G
00:21M10.4D6
00:21 - 00:22M11.1 - M11.2Em
00:22 - 00:23M11.3 - M11.4Am/C
00:24 - 00:24M12.1 - M12.2D
00:25M12.3Gsus4
00:25M12.4D6
00:26M13.1Em
00:26M13.2Em7
00:27 - 00:27M13.3 - M13.4Am/C
00:28 - 00:28M14.1 - M14.2D
00:29M14.3G5
00:30M14.4Bm7/D
00:30M15.1Em7
00:31M15.2E5
00:31 - 00:32M15.3 - M15.4Am/C
00:32 - 00:33M16.1 - M16.2D
00:33M16.3Gsus4
00:34M16.4D6
00:34M17.1Em
00:35M17.2Em(add9)/B
00:36M17.3G
00:36M17.4Em(add9)/F#
00:37M18.1C
00:37M18.2Cadd9/G
00:38M18.3Em/G
00:38M18.4Em(add9)
00:39M19.1D5
00:39M19.2Dsus2
00:40M19.3F#sus4
00:40M19.4D7/F#
00:41M20.1G
00:42M20.2G/B
00:42M20.3D5
00:43M20.4Dsus4
00:43M21.1Em
00:44M21.2Em(add9)/B
00:44M21.3G
00:45M21.4Gsus2
00:45M22.1C
00:46M22.2Csus2
00:46M22.3E5
00:47M22.4Esus4
00:48M23.1D6
00:48M23.2Dsus2
00:49M23.3D
00:49M23.4F#sus4
00:50M24.1G
00:50M24.2Gsus4
00:51M24.3Bm7/A
00:51M24.4Dsus4
00:52 - 00:52M25.1 - M25.2C
00:53M25.3C5
00:54M25.4Am7/C
00:54M26.1D5
00:55M26.2D
00:55M26.3Dsus4
00:56M26.4Bm/D
00:56M27.1E5
00:57M27.2Em
00:57M27.3Esus2
00:58M27.4Em
00:58 - 00:59M28.1 - M28.2D/F#
01:00M28.3F#m
01:00M28.4F#5
01:01 - 01:02M29.1 - M29.3C
01:02M29.4Am7/C
01:03M30.1D5
01:03 - 01:04M30.2 - M30.3D
01:04M30.4Bm7/D
01:05M31.1E5
01:06M31.2Em
01:06M31.3Esus2
01:07M31.4Em
01:07M32.1F#sus4
01:08M32.2D/F#
01:08M32.3D7/F#
01:09M32.4Bm/F#
01:09M33.1Em(add9)
01:10M33.2Am(add9)/B
01:10M33.3Am(add9)/C
01:11M33.4B
01:12M34.1Em
01:12M34.2Em/B
01:13 - 01:13M34.3 - M34.4Am7/C
01:14 - 01:14M35.1 - M35.2Dsus4
01:15M35.3Dadd9
01:15M35.4Bm7/D
01:16M36.1Em
01:16M36.2Em/B
01:17 - 01:18M36.3 - M36.4Am7/C
01:18 - 01:19M37.1 - M37.2D
01:19M37.3D5
01:20M37.4Bm7/A
01:20M38.1Em
01:21M38.2G6/B
01:21 - 01:22M38.3 - M38.4Am7/C
01:22M39.1D
01:23M39.2D/A
01:24M39.3G5
01:24M39.4Bm7/D
01:25M40.1Em7
01:25M40.2Bsus4/E
01:26 - 01:26M40.3 - M40.4Am7/C
01:27 - 01:27M41.1 - M41.2D
01:28M41.3D7
01:28M41.4Esus2
01:29 - 01:30M42.1 - M42.2Em
01:30 - 01:31M42.3 - M42.4Am/C
01:31 - 01:32M43.1 - M43.2Dsus4
01:32M43.3Em9/G
01:33M43.4D6
01:33 - 01:34M44.1 - M44.2Em
01:34 - 01:35M44.3 - M44.4Am/C
01:36 - 01:36M45.1 - M45.2D
01:37M45.3Gsus2
01:37M45.4D6
01:38M46.1Em
01:38M46.2Em7
01:39 - 01:39M46.3 - M46.4Am/C
01:40 - 01:40M47.1 - M47.2D
01:41M47.3G5
01:42M47.4Bm7/D
01:42M48.1Em7
01:43M48.2E5
01:43 - 01:44M48.3 - M48.4Am/C
01:44 - 01:45M49.1 - M49.2D
01:45M49.3Gsus4
01:46M49.4D6
01:46M50.1Esus4
01:47M50.2Em(add9)
01:48M50.3G6
01:48M50.4Gmaj7
01:49M51.1Esus2/B
01:49M51.2Esus2/F#
01:50M51.3G6
01:50M51.4Gsus2
01:51M52.1Am9/C
01:51M52.2Cadd9/G
01:52M52.3Em
01:52M52.4Em(add9)
01:53M53.1C5
01:54M53.2D7/C
01:54M53.3Em(add9)
01:55M53.4Em
01:55M54.1Gadd9
01:56M54.2Gadd9/B
01:56 - 01:57M54.3 - M54.4G/B
01:57M55.1Gadd9
01:58 - 01:58M55.2 - M55.3Gadd9/B
01:59M55.4B5
02:00M56.1D
02:00M56.2Dadd9/F#
02:01M56.3Esus2/F#
02:01M56.4F#5
02:02M57.1Dsus4
02:02M57.2Dadd9
02:03M57.3F#
02:03M57.4Esus2/F#
02:04M58.1Em(add9)
02:04M58.2Em(add9)/B
02:05M58.3Gmaj7
02:06M58.4Em(add9)/G
02:06M59.1C
02:07M59.2Cadd9/G
02:07M59.3Em7
02:08M59.4Em(add9)
02:08 - 02:09M60.1 - M60.2Asus4/D
02:09M60.3D6/F#
02:10M60.4D7/F#
02:10M61.1Gmaj7
02:11M61.2G/D
02:12M61.3Bm7/D
02:12M61.4Dsus4
02:13M62.1G6/E
02:13M62.2Em(add9)/B
02:14M62.3Gmaj7
02:14M62.4Gadd9
02:15M63.1C
02:15M63.2Cadd9
02:16M63.3Cmaj9/E
02:16M63.4Esus4
02:17M64.1D6
02:18M64.2Dadd9
02:18M64.3Dadd9/F#
02:19M64.4D7/F#
02:19 - 02:20M65.1 - M65.2G
02:20 - 02:21M65.3 - M65.4Gadd9/D
02:21 - 02:22M66.1 - M66.2C
02:22 - 02:23M66.3 - M66.4C5
02:24M67.1Asus4/D
02:24M67.2D5

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.