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The Girl from Ipanema — Antônio Carlos Jobim (Solo Guitar Arrangement)Interactive lesson ready

The Girl from Ipanema — Antônio Carlos Jobim (Solo Guitar Arrangement)

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for The Girl from Ipanema — Antônio Carlos Jobim (Solo Guitar Arrangement).

120 BPM 2:09 A Minor 1 tracks 1417 notes
Bossa NovaJazz
Image: Unknown Unknown ; Restoration by User:PerfectSoundWhatever·Public domain

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

120 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo120 BPM
Duration2:09
Tracks1
Notes1417
Key / ScaleA Minor
Pitch rangeF2 (41) - D5 (74)
Range span33 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
F#sus4Fmaj7C7sus4/GF#7/EFmaj7C7sus4/GF#7/EFmaj7C7sus4/GF#7/E
00:00 - 00:32
Early middle
Am6D7Gm(add9)F#Fadd9Eb9Bbm6Eb7Gm(add9)/BbD7sus2/A
00:32 - 01:04
Late middle
C7Fmaj9C6/9Fmaj9D7sus2/CG6Ddim7G6Ddim7Gm7/F
01:04 - 01:37
Ending
F7/EbF#m9F#m9/AF#m7F#m7/C#D9Am6D7Dm7/AGsus2
01:37 - 02:09

Description & Musical Analysis

Antônio Carlos Jobim’s “The Girl from Ipanema” is presented as a solo nylon-string guitar transcription. The file runs 2:10, with 1,417 note events across 1 tracks in A Minor at 120 BPM.

How to Play & Trivia

Arrangement details

Antônio Carlos Jobim’s “The Girl from Ipanema” is presented as a solo nylon-string guitar transcription. The MIDI contains 1,417 note events in 1 tracks, lasts 2:10, and is listed in A Minor at 120 BPM.

What to listen for

Follow the single guitar line from its low notes into the melody to study how the arrangement combines bass, chords, and tune.

Source and license

MIDI source: [PDMX v9](https://zenodo.org/records/15571083). The source record is marked CC0 1.0; read the [CC0 terms](https://creativecommons.org/publicdomain/zero/1.0/).

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MIDI Technical Specifications

Key / Scale
A Minor
Pitch Range
F2 (41) - D5 (74)
Total Notes
1417

Note Distribution

C
173 12.2%
C#
25 1.8%
D
149 10.5%
Eb
37 2.6%
E
200 14.1%
F
176 12.4%
F#
74 5.2%
G
117 8.3%
Ab
14 1.0%
A
229 16.2%
Bb
122 8.6%
B
101 7.1%

Tracks & Instruments

TrackInstrumentNotes
Guitaracoustic guitar (nylon)1417

Chord Timeline

TimeBeatChord
00:01M1.4F#sus4
00:02 - 00:02M2.1 - M2.2Fmaj7
00:03M2.3C7sus4/G
00:03M2.4F#7/E
00:04 - 00:04M3.1 - M3.2Fmaj7
00:05M3.3C7sus4/G
00:05M3.4F#7/E
00:06 - 00:06M4.1 - M4.2Fmaj7
00:07M4.3C7sus4/G
00:07M4.4F#7/E
00:08 - 00:08M5.1 - M5.2Fmaj7
00:09M5.3C7sus4/G
00:09M5.4F#7
00:10M6.1Fmaj9
00:10M6.2C6/9
00:11M6.3Fmaj9
00:11M6.4D7sus2/C
00:12M7.1G6
00:12M7.2Ddim7
00:13M7.3G6
00:13M7.4Ddim7
00:14M8.1Gm7/F
00:14M8.2C11/G
00:15M8.3F#7
00:15M8.4F#7sus4/E
00:16 - 00:16M9.1 - M9.2Fmaj7
00:17M9.3C7sus4/G
00:17M9.4F#7
00:18M10.1Fmaj9
00:18M10.2C6/9
00:19M10.3Fmaj9
00:19M10.4D7sus2/C
00:20M11.1G6
00:20M11.2Ddim7
00:21M11.3G6
00:21M11.4Ddim7
00:22M12.1Gm7/F
00:22M12.2C11/G
00:23M12.3F#7
00:23M12.4Esus2/F#
00:24M13.1Fmaj7
00:24M13.2C6
00:25M13.3Fmaj7
00:25M13.4C6
00:26M14.1Ebm(add9)/F#
00:26M14.2Eb5
00:27M14.3F#
00:27M14.4F#6
00:28M15.1B9
00:28M15.2BbmMaj7
00:29 - 00:29M15.3 - M15.4B7
00:30 - 00:30M16.1 - M16.2F#m(add9)
00:31M16.3F
00:31M16.4Eadd9
00:32M17.1D9
00:32M17.2Am6
00:33 - 00:33M17.3 - M17.4D7
00:34 - 00:34M18.1 - M18.2Gm(add9)
00:35M18.3F#
00:35M18.4Fadd9
00:36M19.1Eb9
00:36M19.2Bbm6
00:37M19.3Eb7
00:37M19.4Gm(add9)/Bb
00:38M20.1D7sus2/A
00:38M20.2Fmaj9/A
00:39 - 00:39M20.3 - M20.4D7
00:40M21.1Gm
00:40M21.2Em9/G
00:41 - 00:41M21.3 - M21.4C7
00:42M22.1Fmaj9
00:42M22.2C6/9
00:43M22.3Fmaj9
00:43M22.4D7sus2/C
00:44M23.1G6
00:44M23.2Ddim7
00:45M23.3G6
00:45M23.4Ddim7
00:46M24.1Gm7/F
00:46M24.2Gm7
00:47M24.3F#7
00:47M24.4F#11/Bb
00:48M25.1Fmaj7
00:48M25.2C6/9
00:49M25.3Dm(add9)/F
00:49M25.4C6/9
00:50M26.1Ebm(add9)/F#
00:50M26.2Eb5
00:51M26.3F#
00:51M26.4F#6
00:52M27.1B9
00:52M27.2BbmMaj7
00:53 - 00:53M27.3 - M27.4B7
00:54 - 00:54M28.1 - M28.2F#m(add9)
00:55M28.3F
00:55M28.4Eadd9
00:56M29.1D9
00:56M29.2Am6
00:57 - 00:57M29.3 - M29.4D7
00:58 - 00:58M30.1 - M30.2Gm(add9)
00:59M30.3F#
00:59M30.4Fadd9
01:00M31.1Eb9
01:00M31.2Bbm6
01:01M31.3Eb7
01:01M31.4Gm(add9)/Bb
01:02M32.1D7sus2/A
01:02M32.2Fmaj9/A
01:03 - 01:03M32.3 - M32.4D7
01:04M33.1Gm
01:04M33.2Em9/G
01:05 - 01:05M33.3 - M33.4C7
01:06M34.1Fmaj9
01:06M34.2C6/9
01:07M34.3Fmaj9
01:07M34.4D7sus2/C
01:08M35.1G6
01:08M35.2Ddim7
01:09M35.3G6
01:09M35.4Ddim7
01:10M36.1Gm7/F
01:10M36.2Gm7
01:11M36.3F#7
01:11M36.4F#11/Bb
01:12M37.1Fmaj7
01:12M37.2C6/9
01:13M37.3Dm(add9)/F
01:13M37.4F#7
01:14M38.1Dm(add9)/F
01:14M38.2C6/9
01:15M38.3F6
01:15M38.4F#11
01:16M39.1Fmaj7
01:16M39.2C6/9
01:17M39.3Dm(add9)/F
01:17M39.4F#7
01:18M40.1Dm(add9)/F
01:18M40.2C6/9
01:19M40.3Dm(add9)/F
01:19M40.4Dm9/A
01:20M41.1G7
01:20M41.2Ddim7
01:21M41.3G7
01:21M41.4Ddim7
01:22M42.1Dm6/B
01:22M42.2B7sus4
01:23M42.3Am9/C
01:23M42.4Cmaj7
01:24M43.1Dm(add9)/F
01:24M43.2C6/9
01:25M43.3F#7
01:25M43.4F#11/Bb
01:26M44.1Fmaj7
01:26M44.2C6/9
01:27M44.3Dm(add9)/F
01:27M44.4Dm9/A
01:28M45.1G7
01:28M45.2Ddim7
01:29M45.3G7
01:29M45.4Ddim7
01:30M46.1Dm6/B
01:30M46.2Bm7b5
01:31M46.3Am9/C
01:31M46.4Am(add9)/C
01:32M47.1F6/9
01:32M47.2D7sus4/C
01:33M47.3F6/9
01:33M47.4D7sus4/C
01:34M48.1Eb7sus2
01:34M48.2Bbm
01:35M48.3Bb11/Eb
01:35M48.4Bb7
01:36M49.1C#7/B
01:36M49.2F7/Eb
01:37M49.3B7
01:37M49.4F7/Eb
01:38M50.1F#m9
01:38M50.2F#m9/A
01:39M50.3F#m7
01:39M50.4F#m7/C#
01:40M51.1D9
01:40M51.2Am6
01:41M51.3D7
01:41M51.4Dm7/A
01:42M52.1Gsus2
01:42M52.2Gm(add9)
01:43M52.3GmMaj7/F#
01:43 - 01:44M52.4 - M53.1G7sus2/F
01:44M53.2Ebmaj9/G
01:45M53.3Bb11/Eb
01:45M53.4Bb5
01:46M54.1D7sus2/A
01:46M54.2Fmaj9/A
01:47 - 01:47M54.3 - M54.4D7
01:48M55.1Gm
01:48M55.2Em9/G
01:49 - 01:49M55.3 - M55.4C7
01:50M56.1Fmaj9
01:50M56.2C6/9
01:51M56.3Fmaj9
01:51M56.4D7sus2/C
01:52M57.1G6
01:52M57.2Ddim7
01:53M57.3G6
01:53M57.4Ddim7
01:54M58.1Gm7/F
01:54M58.2Gm7
01:55M58.3F#7
01:55M58.4F#11/Bb
01:56M59.1Fmaj7
01:56M59.2C6/9
01:57M59.3Dm(add9)/F
01:57M59.4F#7
01:58M60.1Dm(add9)/F
01:58M60.2C6/9
01:59M60.3F6
01:59M60.4F#11
02:00M61.1Fmaj7
02:00M61.2C6/9
02:01M61.3Dm(add9)/F

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.