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The Unnamed Feeling - MetallicaInteractive lesson ready

The Unnamed Feeling - Metallica

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for The Unnamed Feeling - Metallica.

75 BPM 6:35 C Minor 9 tracks 8650 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

75 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo75 BPM
Duration6:35
Tracks9
Notes8650
Key / ScaleC Minor
Pitch rangeC1 (24) - G5 (79)
Range span55 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
C5CCm7/EbCsus4C5CCm9/BbC5CEb6/C
00:00 - 01:38
Early middle
C5Csus2C5Csus2C5Csus2C5CAb5G5
01:38 - 03:17
Late middle
G5C5Csus2C5Csus2C5Csus2C5CAb5
03:17 - 04:56
Ending
CEbsus2FC5CBbmaj7Cm9/EbAbGCm
04:56 - 06:35

Description & Musical Analysis

The Unnamed Feeling is a song by Metallica from their eighth studio album, St. Anger. Composed by the band, it features a unique sound.

How to Play & Trivia

Start by playing the C5 chord on guitar to capture the song's heavy intro, then transition to piano for the melody.

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
C Minor
Pitch Range
C1 (24) - G5 (79)
Total Notes
8650

Note Distribution

C
3393 39.2%
C#
229 2.6%
D
892 10.3%
Eb
346 4.0%
E
134 1.5%
F
536 6.2%
F#
52 0.6%
G
2135 24.7%
Ab
231 2.7%
A
97 1.1%
Bb
495 5.7%
B
110 1.3%

Tracks & Instruments

TrackInstrumentNotes
Track 2bassoon487
Track 3distortion guitar1895
Track 4overdriven guitar76
Track 5distortion guitar1763
Track 6electric guitar (clean)442
Track 7electric guitar (clean)244
Track 8electric bass (finger)1556
Track 9slap bass 1213
Track 10acoustic grand piano1974

Chord Timeline

TimeBeatChord
00:00 - 00:06M1.1 - M3.1C5
00:07M3.2C
00:08M3.3Cm7/Eb
00:08M3.4Csus4
00:09M4.1C5
00:10M4.2C
00:11 - 00:12M4.3 - M4.4Cm9/Bb
00:12M5.1C5
00:13M5.2C
00:14M5.3Eb6/C
00:15M5.4Csus4
00:16M6.1C5
00:16M6.2C
00:17 - 00:18M6.3 - M6.4Cm9
00:19M7.1C5
00:20M7.2C
00:20M7.3Cm9
00:21M7.4Csus4
00:22M8.1C5
00:23M8.2C
00:24 - 00:24M8.3 - M8.4Cm9
00:25M9.1C5
00:26M9.2Cm(add9)
00:27M9.3Cm9
00:28M9.4Csus4
00:28M10.1C5
00:29M10.2Cm(add9)
00:30 - 00:31M10.3 - M10.4Cm9
00:32M11.1C5
00:32M11.2Cm(add9)
00:33M11.3Cm9
00:34M11.4Csus4
00:35M12.1C5
00:36M12.2Cm(add9)
00:36 - 00:37M12.3 - M12.4Cm9
00:38M13.1Ab5
00:39M13.2G5
00:40 - 00:40M13.3 - M13.4C5
00:41M14.1Ab5
00:42M14.2G5
00:43 - 00:44M14.3 - M14.4C5
00:44M15.1Ab5
00:45M15.2G5
00:46 - 00:47M15.3 - M15.4C5
00:48M16.1Ab5
00:48M16.2G5
00:49 - 00:50M16.3 - M16.4C5
00:51M17.1Ab5
00:52M17.2G5
00:52 - 00:53M17.3 - M17.4C5
00:54M18.1Ab5
00:55M18.2G5
00:56 - 01:01M18.3 - M20.2Csus2
01:02M20.3Ab5
01:03M20.4G5
01:04 - 01:06M21.1 - M21.4Csus2
01:07M22.1Ab5
01:08M22.2G5
01:08M22.3C5
01:09M22.4Csus2
01:10M23.1C5
01:11M23.2Csus2
01:12M23.3C5
01:12M23.4Csus2
01:13M24.1C5
01:14M24.2C
01:15M24.3Ab5
01:16M24.4G5
01:16M25.1C5
01:17M25.2Csus2
01:18M25.3C5
01:19M25.4Csus2
01:20M26.1C5
01:20M26.2Csus2
01:21M26.3C5
01:22M26.4C
01:23M27.1Ab5
01:24M27.2G5
01:24M27.3C5
01:25M27.4Csus2
01:26M28.1C5
01:27M28.2Csus2
01:28M28.3C5
01:28M28.4Csus2
01:29M29.1C5
01:30M29.2C
01:31M29.3Ab5
01:32M29.4G5
01:32M30.1C5
01:33M30.2Csus2
01:34M30.3C5
01:35M30.4Csus2
01:36M31.1C5
01:36M31.2Csus2
01:37M31.3C5
01:38M31.4Csus2
01:39M32.1C5
01:40M32.2Csus2
01:40M32.3C5
01:41M32.4Csus2
01:42M33.1C5
01:43M33.2Csus2
01:44M33.3C5
01:44M33.4C
01:45M34.1Ab5
01:46M34.2G5
01:47 - 01:57M34.3 - M37.4Csus2
01:58M38.1Ab5
01:59M38.2G5
02:00M38.3C5
02:00M38.4Csus2
02:01M39.1C5
02:02M39.2Csus2
02:03M39.3C5
02:04M39.4Csus2
02:04M40.1C5
02:05M40.2C
02:06M40.3Ab5
02:07M40.4G5
02:08 - 02:08M41.1 - M41.2C
02:09M41.3Bbsus4/Eb
02:10M41.4Ebsus2
02:11M42.1Bbsus4/Eb
02:12M42.2Eb5
02:12M42.3Ab
02:13M42.4G
02:14M43.1Bb5
02:15M43.2Fsus4/Bb
02:16 - 02:16M43.3 - M43.4C
02:17M44.1Bbsus4/Eb
02:18M44.2Ebsus2
02:19M44.3Bbsus4/Eb
02:20M44.4Eb5
02:20M45.1Ab
02:21M45.2G
02:22 - 02:28M45.3 - M47.2Csus2
02:28M47.3Ab5
02:29M47.4G5
02:30 - 02:32M48.1 - M48.4Csus2
02:33M49.1Ab5
02:34M49.2G5
02:35M49.3C5
02:36M49.4Csus2
02:36M50.1C5
02:37M50.2Csus2
02:38M50.3C5
02:39M50.4Csus2
02:40M51.1C5
02:40M51.2C
02:41M51.3Ab5
02:42M51.4G5
02:43M52.1C5
02:44M52.2Csus2
02:44M52.3C5
02:45M52.4Csus2
02:46M53.1C5
02:47M53.2Csus2
02:48M53.3C5
02:48M53.4C
02:49M54.1Ab5
02:50M54.2G5
02:51M54.3C5
02:52M54.4Csus2
02:52M55.1C5
02:53M55.2Csus2
02:54M55.3C5
02:55M55.4Csus2
02:56M56.1C5
02:56M56.2Csus2
02:57M56.3C5
02:58M56.4Csus2
02:59M57.1C5
03:00M57.2Csus2
03:00M57.3C5
03:01M57.4Csus2
03:02M58.1C5
03:03M58.2C
03:04M58.3Ab5
03:04M58.4G5
03:05 - 03:16M59.1 - M62.2Csus2
03:16M62.3Ab5
03:17M62.4G5
03:18M63.1C5
03:19M63.2Csus2
03:20M63.3C5
03:20M63.4Csus2
03:21M64.1C5
03:22M64.2Csus2
03:23M64.3C5
03:24M64.4C
03:24M65.1Ab5
03:25M65.2G5
03:26 - 03:27M65.3 - M65.4C
03:28M66.1Bbsus4/Eb
03:28M66.2Ebsus2
03:29M66.3Bbsus4/Eb
03:30M66.4Eb5
03:31M67.1Ab
03:32M67.2Fm(add9)/Ab
03:32M67.3Bb5
03:33M67.4Bbsus2
03:34 - 03:35M68.1 - M68.2C
03:36M68.3Bbsus4/Eb
03:36M68.4Ebsus2
03:37M69.1Bbsus4/Eb
03:38M69.2Eb5
03:39M69.3D5
03:40M69.4Asus4/D
03:40M70.1Eb5
03:41M70.2Bbsus4/Eb
03:42 - 03:43M70.3 - M70.4C
03:44M71.1Bbsus4/Eb
03:44M71.2Ebsus2
03:45M71.3Bbsus4/Eb
03:46M71.4Eb5
03:47M72.1Ab
03:48M72.2G
03:48M72.3Bb5
03:49M72.4Fsus4/Bb
03:50 - 03:51M73.1 - M73.2C

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.