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First Love (ChifaiChan Arrangement) - Hikaru UtadaInteractive lesson ready

First Love (ChifaiChan Arrangement) - Hikaru Utada

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for First Love (ChifaiChan Arrangement) - Hikaru Utada.

96 BPM 3:52 G Major 2 tracks 964 notes
Hikaru UtadaJ PopBalladAcoustic
Image: lifestyleasia.com·Editorial reference

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

96 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo96 BPM
Duration3:52
Tracks2
Notes964
Key / ScaleG Major
Pitch rangeG1 (31) - A6 (93)
Range span62 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
Gsus4Gsus2G5G5/DDCmaj7/BEm/BG6/BEm7/BG5
00:00 - 00:58
Early middle
Csus2C5GGadd9Dsus4/GD/F#D6/F#Gmaj7/F#F#m/AEm
00:58 - 01:56
Late middle
Em7Esus2Dsus2DF#sus4F#mGsus2Gsus2/AAsus2/BC/E
01:56 - 02:54
Ending
F#mGsus2GDsus4/GG/BGadd9/BDD6Gmaj9/DD
02:54 - 03:52

Description & Musical Analysis

Practice First Love (ChifaiChan Arrangement) - Hikaru Utada with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Hikaru Utada, J Pop, Ballad and related collections.

How to Play & Trivia

Arrangement profile

First Love (ChifaiChan Arrangement) - Hikaru Utada runs for 3:52 at 96 BPM. The file presents a moderate pulse and 4.1 note events per second, which is a comparatively open note stream. The stored pitch range is G1 (31) - A6 (93), a span of 62 semitones (about 5.2 octaves).

Tracks and instrumentation

The active MIDI tracks identify acoustic grand piano. 2 tracks contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes Gsus4, Gsus2, G5, G5/D, D, Cmaj7/B, Em/B, G6/B, Em7/B, G and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Listen through once at the stored tempo, then isolate the melody and accompaniment tracks. Use the chord timeline to mark transitions and the sheet view to confirm rhythm before combining the layers.

Related collections

For nearby material, continue through the Hikaru Utada, J Pop, Ballad, Acoustic collections linked on this page.

Explore related collections

Hikaru UtadaMore songsJ PopMore songsBalladMore songsAcousticMore songs
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
G Major
Pitch Range
G1 (31) - A6 (93)
Total Notes
964

Note Distribution

C
84 8.7%
C#
0 0.0%
D
161 16.7%
Eb
0 0.0%
E
74 7.7%
F
0 0.0%
F#
94 9.8%
G
246 25.5%
Ab
0 0.0%
A
157 16.3%
Bb
0 0.0%
B
148 15.4%

Tracks & Instruments

TrackInstrumentNotes
Pianoacoustic grand piano536
Pianoacoustic grand piano428

Chord Timeline

TimeBeatChord
00:00M1.1Gsus4
00:00M1.2Gsus2
00:01M1.3G5
00:01M1.4G5/D
00:02 - 00:04M2.1 - M2.4D
00:05M3.1Cmaj7/B
00:05M3.2Em/B
00:06M3.3G6/B
00:06M3.4Em7/B
00:07M4.1G5
00:08M4.2G
00:08M4.3G5
00:09M4.4G
00:10M5.1Cadd9
00:10M5.2Cadd9/E
00:11M5.3C/E
00:11M5.4Dsus2/E
00:12M6.1Dsus2
00:13M6.2D5
00:13M6.3Dsus4
00:14M6.4D
00:15M7.1G5
00:15M7.2Gsus2
00:16M7.3B
00:16M7.4C/E
00:17 - 00:19M8.1 - M8.4G/D
00:20 - 00:21M9.1 - M9.3G5
00:21M9.4G
00:22M10.1D
00:23 - 00:23M10.2 - M10.3D6
00:24M10.4D
00:25M11.1Em
00:25M11.2Em/G
00:26M11.3Gsus2
00:26M11.4G
00:27 - 00:28M12.1 - M12.2G/D
00:28M12.3G
00:29M12.4G5
00:30M13.1C5
00:30M13.2Cadd9
00:31M13.3Dsus2/E
00:31M13.4Cmaj7/E
00:32M14.1D5
00:33M14.2D7/C
00:33M14.3Em(add9)/G
00:34M14.4F#m
00:35M15.1G/B
00:35M15.2Gadd9/B
00:36M15.3B
00:36M15.4C/E
00:37 - 00:39M16.1 - M16.4G/D
00:40M17.1Em
00:40M17.2Em(add9)
00:41M17.3B5
00:41M17.4Gmaj7/B
00:42M18.1Bm
00:43M18.2Bsus4
00:43M18.3Bsus4/F#
00:44M18.4Bsus4
00:45M19.1Em
00:45M19.2Em(add9)
00:46M19.3C5
00:46M19.4Am/C
00:47M20.1Dsus4/A
00:48M20.2Dsus4
00:48M20.3F#sus4
00:49M20.4Gsus2/A
00:50M21.1Em(add9)
00:50M21.2Em
00:51 - 00:51M21.3 - M21.4G
00:52M22.1D
00:53M22.2Dsus4/A
00:53M22.3F#m
00:54M22.4D/F#
00:55M23.1D9/C
00:55M23.2C
00:56M23.3C/G
00:56M23.4Cadd9/G
00:57M24.1Gsus4/C
00:58M24.2Csus2
00:58 - 00:59M24.3 - M24.4C5
01:00M25.1G
01:00 - 01:01M25.2 - M25.3Gadd9
01:01M25.4Dsus4/G
01:02M26.1D/F#
01:03M26.2D6/F#
01:03M26.3Gmaj7/F#
01:04M26.4F#m/A
01:05 - 01:05M27.1 - M27.2Em
01:06M27.3Asus2/B
01:06M27.4Gadd9/B
01:07M28.1Bm7/D
01:08M28.2Asus4
01:08M28.3D7/F#
01:09M28.4Bm7/F#
01:10M29.1Am7
01:10M29.2Gsus4
01:11M29.3Em/G
01:11M29.4G
01:12M30.1Dsus2
01:13M30.2D
01:13M30.3F#m
01:14M30.4Dsus4
01:15M31.1G
01:15 - 01:16M31.2 - M31.3Gadd9
01:16M31.4Dsus4/G
01:17M32.1D/F#
01:18M32.2D6/F#
01:18M32.3Gmaj7/F#
01:19M32.4F#m/A
01:20M33.1Em
01:20 - 01:21M33.2 - M33.3Bsus4
01:21M33.4Em
01:22M34.1Bm7/D
01:23M34.2D
01:23M34.3Am
01:24M34.4Asus2
01:25M35.1Am7
01:25M35.2Gsus4
01:26 - 01:26M35.3 - M35.4Em
01:27M36.1D5
01:28M36.2D7
01:28M36.3Bm7/A
01:29M36.4F#m
01:30M37.1Gsus2
01:30 - 01:32M37.2 - M38.1G
01:33M38.2D
01:33M38.3A
01:34M38.4G
01:35M39.1Dadd9
01:35M39.2A
01:36M39.3D9/C
01:36M39.4A
01:37M40.1Bm
01:38M40.2A5
01:38M40.3C/E
01:39M40.4Cadd9
01:40M41.1Am
01:40 - 01:41M41.2 - M41.3Am(add9)/C
01:41M41.4C5
01:42M42.1Bm7/D
01:43M42.2Em7/D
01:43M42.3Em
01:44M42.4D/F#
01:45 - 01:46M43.1 - M43.3G5
01:46M43.4G
01:47M44.1D
01:48 - 01:48M44.2 - M44.3D6
01:49M44.4D
01:50M45.1Em
01:50M45.2Em7
01:51 - 01:51M45.3 - M45.4Em
01:52M46.1G/D
01:53M46.2Gadd9/D
01:53M46.3Gsus2
01:54M46.4G
01:55M47.1C5/G
01:55M47.2Cadd9
01:56M47.3Em7
01:56M47.4Esus2
01:57M48.1Dsus2
01:58M48.2D
01:58M48.3F#sus4
01:59M48.4F#m
02:00M49.1Gsus2
02:00M49.2Gsus2/A
02:01M49.3Asus2/B
02:01M49.4C/E
02:02 - 02:03M50.1 - M50.2G
02:03M50.3Bm
02:04M50.4Gsus2
02:05M51.1Em
02:05M51.2Em(add9)
02:06M51.3B5
02:06M51.4Gmaj7/B
02:07M52.1Bm
02:08M52.2Bsus4
02:08M52.3Bsus4/F#
02:09M52.4Bsus4
02:10M53.1Em
02:10M53.2Em(add9)
02:11M53.3C5
02:11M53.4Am/C
02:12M54.1Dsus4/A
02:13M54.2Dsus4
02:13M54.3F#sus4
02:14M54.4Gsus2/A
02:15M55.1Em(add9)
02:15M55.2Em
02:16 - 02:16M55.3 - M55.4G
02:17M56.1D
02:18M56.2Dsus4/A
02:18M56.3F#m
02:19M56.4D/F#
02:20M57.1D9/C
02:20M57.2C
02:21M57.3C/G
02:21M57.4Cadd9/G
02:22M58.1Gsus4/C
02:23M58.2Csus2
02:23 - 02:24M58.3 - M58.4C5
02:25M59.1G
02:25 - 02:26M59.2 - M59.3Gadd9
02:26M59.4Dsus4/G
02:27M60.1D/F#
02:28M60.2D6/A
02:28M60.3Gmaj7/B
02:29M60.4F#m
02:30M61.1Em
02:30M61.2Esus4
02:31M61.3Asus2/B
02:31M61.4Gadd9
02:32M62.1Bm7/D
02:33M62.2Asus4/D
02:33M62.3D7/F#
02:34M62.4D6/F#
02:35M63.1Am7
02:35M63.2Gsus4
02:36M63.3Gsus2
02:36M63.4G

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.