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Pink Blood - Hikaru UtadaInteractive lesson ready

Pink Blood - Hikaru Utada

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Pink Blood - Hikaru Utada.

100 BPM 0:57 D# Minor 2 tracks 567 notes
Hikaru UtadaJ PopPop
Image: qetic.jp·Editorial reference

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

100 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo100 BPM
Duration0:57
Tracks2
Notes567
Key / ScaleD# Minor
Pitch rangeB1 (35) - A#5 (82)
Range span47 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
Bmaj7Abm(add9)/BAbm7/BBF#maj9/C#C#add9Ebm7/C#EbmEbsus4Ebm
00:00 - 00:14
Early middle
EbmBbsus4Ebsus4/BbEbm/BbEbmEbm/BbF#maj9/BbEbmBmaj7B
00:14 - 00:28
Late middle
Bmaj7B/EbBsus2/F#Bmaj9/EbF#/C#F#6Ebm7C#add9/FEbsus4Ebdim
00:28 - 00:43
Ending
Ebsus4EbmF#Eb5EbmEbm7Abm9/BB/EbBmaj9/EbAbm7/B
00:43 - 00:57

Description & Musical Analysis

Practice Pink Blood - Hikaru Utada with piano notes, chord shapes, sheet music, and instrument-friendly visual guides on MidiPlays. Explore the song in the context of Hikaru Utada, J Pop, Pop and related collections.

How to Play & Trivia

Arrangement profile

Pink Blood - Hikaru Utada runs for 0:57 at 100 BPM. The file presents a moderate pulse and 9.8 note events per second, which is a moderately busy note stream. The stored pitch range is B1 (35) - A#5 (82), a span of 47 semitones (about 3.9 octaves).

Tracks and instrumentation

The active MIDI tracks identify acoustic grand piano. 2 tracks contain note events, so the mixer can be used to hear each layer separately.

Harmony map

The extracted harmony vocabulary includes Bmaj7, Abm(add9)/B, Abm7/B, B, F#maj9/C#, C#add9, Ebm7/C#, Ebm, Ebsus4, Ebm(add9) and 5 additional labels. Chord names are inferred from simultaneous MIDI notes, so altered, incomplete, or ambiguous voicings should be confirmed by ear and against the note display.

Practice plan for this MIDI

Listen through once at the stored tempo, then isolate the melody and accompaniment tracks. Use the chord timeline to mark transitions and the sheet view to confirm rhythm before combining the layers.

Related collections

For nearby material, continue through the Hikaru Utada, J Pop, Pop collections linked on this page.

Explore related collections

Hikaru UtadaMore songsJ PopMore songsPopMore songs
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
D# Minor
Pitch Range
B1 (35) - A#5 (82)
Total Notes
567

Note Distribution

C
0 0.0%
C#
53 9.3%
D
0 0.0%
Eb
167 29.5%
E
0 0.0%
F
15 2.6%
F#
124 21.9%
G
0 0.0%
Ab
46 8.1%
A
1 0.2%
Bb
126 22.2%
B
35 6.2%

Tracks & Instruments

TrackInstrumentNotes
Pianoacoustic grand piano262
Pianoacoustic grand piano305

Chord Timeline

TimeBeatChord
00:00M1.1Bmaj7
00:00M1.2Abm(add9)/B
00:01M1.3Abm7/B
00:01M1.4B
00:02 - 00:03M2.1 - M2.2F#maj9/C#
00:03M2.3C#add9
00:04M2.4Ebm7/C#
00:04M3.1Ebm
00:05 - 00:06M3.2 - M3.3Ebsus4
00:06 - 00:07M3.4 - M4.1Ebm
00:07M4.2Ebm(add9)
00:08M4.3Fm7/Eb
00:09M4.4Ebm
00:09M5.1Bmaj7
00:10M5.2Abm9/F#
00:10M5.3Abm7/F#
00:11M5.4F#sus4
00:12M6.1F#maj9/C#
00:12M6.2F#maj9/Ab
00:13M6.3C#/Ab
00:13M6.4Absus4
00:14M7.1Ebm
00:15M7.2Bbsus4
00:15M7.3Ebsus4/Bb
00:16M7.4Ebm/Bb
00:16M8.1Ebm
00:17M8.2Ebm/Bb
00:18M8.3F#maj9/Bb
00:18M8.4Ebm
00:19M9.1Bmaj7
00:19 - 00:20M9.2 - M9.3B
00:21M9.4Badd9
00:21M10.1F#/C#
00:22M10.2C#sus2
00:22M10.3F#
00:23M10.4C#sus2
00:24M11.1Ebm
00:24M11.2Eb
00:25M11.3Ebm/F#
00:25M11.4Ebm7
00:26M12.1Ebsus4
00:27M12.2Eb
00:27M12.3Ebm/F#
00:28M12.4Eb5
00:28M13.1Bmaj7
00:29M13.2B/Eb
00:30M13.3Bsus2/F#
00:30M13.4Bmaj9/Eb
00:31M14.1F#/C#
00:31M14.2F#6
00:32M14.3Ebm7
00:33M14.4C#add9/F
00:33M15.1Ebsus4
00:34M15.2Ebdim
00:34 - 00:36M15.3 - M16.1Ebm
00:36M16.2F#6
00:37M16.3Ebm/Bb
00:37M16.4Ebm
00:38M17.1F#/B
00:39M17.2B/Eb
00:39M17.3Ebm7/F#
00:40M17.4Bmaj7
00:40M18.1F#add9/C#
00:41M18.2C#add9/F
00:42M18.3F#maj9/C#
00:42M18.4C#add9/Ab
00:43M19.1Ebsus4
00:43M19.2Ebm
00:44M19.3F#
00:45M19.4Eb5
00:45 - 00:46M20.1 - M20.2Ebm
00:46 - 00:47M20.3 - M20.4Ebm7
00:48M21.1Abm9/B
00:48M21.2B/Eb
00:49M21.3Bmaj9/Eb
00:49M21.4Abm7/B
00:50M22.1F#add9/C#
00:51M22.2C#add9
00:51M22.3F#maj9/F
00:52M22.4Ebm7/C#
00:52M23.1Ebsus4
00:53M23.2Ebm
00:54M23.3C#sus4/F#
00:54 - 00:55M23.4 - M24.1Eb5
00:55 - 00:57M24.2 - M24.4Ebm