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Funeral March (Piano Sonata No. 2, Op. 35: III. Marche funèbre) — Frédéric ChopinInteractive lesson ready

Funeral March (Piano Sonata No. 2, Op. 35: III. Marche funèbre) — Frédéric Chopin

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Funeral March (Piano Sonata No. 2, Op. 35: III. Marche funèbre) — Frédéric Chopin.

120 BPM 4:03 Bb Minor 2 tracks 2179 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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00:00
00:00
0
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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

120 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo120 BPM
Duration4:03
Tracks2
Notes2179
Key / ScaleBb Minor
Pitch rangeC#1 (25) - F7 (101)
Range span76 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
Bb5/FF#maj7/C#BbBb5/FF#/C#Bb5/FF#/C#Bb5/FF#/C#Bb5/F
00:00 - 01:00
Early middle
F7/EbEbF#/C#C#6Bb5F#/C#Bb5C#sus4Ab11/C#Bbm(add9)
01:00 - 02:01
Late middle
AbAb9/F#Ebsus4/AbAb7F#sus2/AbAb7/F#F#sus2/AbC#maj9/F#C#5/AbC#
02:01 - 03:02
Ending
Bbm/FEbm9/C#Bbm11/FF#/C#Bbm/FF#/C#BbmF#maj7/C#BbmF#/C#
03:02 - 04:03

Description & Musical Analysis

This MIDI contains Chopin’s complete Funeral March movement, the third movement of Piano Sonata No. 2 in B-flat minor, Op. 35, arranged for two piano parts.

How to Play & Trivia

About this MIDI

This is the third movement only: Chopin’s Marche funèbre from Piano Sonata No. 2 in B-flat minor, Op. 35. The two piano tracks contain 2,179 notes across 109 measures, with a playback length of about 4:03.

Practice focus

The steady funeral-march pulse frames the outer sections; the middle trio shifts to a more lyrical texture. Follow each hand separately, then combine the bass rhythm and melody at a comfortable tempo.

Score source: PDMX v9, Zenodo record 15571083; this entry is marked CC0 in the dataset metadata.

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
Bb Minor
Pitch Range
C#1 (25) - F7 (101)
Total Notes
2179

Note Distribution

C
169 7.8%
C#
442 20.3%
D
26 1.2%
Eb
168 7.7%
E
18 0.8%
F
349 16.0%
F#
265 12.2%
G
32 1.5%
Ab
222 10.2%
A
30 1.4%
Bb
452 20.7%
B
6 0.3%

Tracks & Instruments

TrackInstrumentNotes
Part_1acoustic grand piano828
Part_1acoustic grand piano1351

Chord Timeline

TimeBeatChord
00:00M1.1Bb5/F
00:00 - 00:01M1.2 - M1.3F#maj7/C#
00:01M1.4Bb
00:02M2.1Bb5/F
00:02M2.2F#/C#
00:03M2.3Bb5/F
00:03M2.4F#/C#
00:04M3.1Bb5/F
00:04M3.2F#/C#
00:05M3.3Bb5/F
00:05M3.4C#sus4
00:06M4.1Bbsus2/F
00:06M4.2F#/C#
00:07M4.3Bb5/F
00:07M4.4F#/C#
00:08M5.1Bbm/F
00:08M5.2F#/C#
00:09M5.3Bbm/F
00:09M5.4C#sus4
00:10M6.1F7sus4
00:10M6.2F#/C#
00:11M6.3Bbm/F
00:11M6.4F#/C#
00:12M7.1Bbm
00:12M7.2F#/C#
00:13M7.3Bbm
00:13M7.4F#/C#
00:14M8.1Bbm
00:14M8.2F#/C#
00:15M8.3Bbm
00:15M8.4F#/C#
00:16M9.1Bb5/F
00:16M9.2F#/C#
00:17M9.3Bb5/F
00:17M9.4C#sus4
00:18M10.1Bbsus2/F
00:18M10.2F#/C#
00:19M10.3Bb5/F
00:19M10.4F#/C#
00:20M11.1Bbm7
00:20M11.2C#sus4/F#
00:21M11.3Bbm
00:21M11.4F#maj7/C#
00:22M12.1C#6/Bb
00:22M12.2F#maj9/C#
00:23 - 00:25M12.3 - M13.4F#maj7/Bb
00:26M14.1Bbm(add9)/C#
00:26 - 00:27M14.2 - M14.3F#maj7/Bb
00:27M14.4Ab13/Bb
00:28M15.1C#maj7
00:28M15.2C#
00:29M15.3Ebm11/C#
00:29M15.4Bbm11/Ab
00:30M16.1C#maj7/Ab
00:30M16.2Ab6
00:31M16.3Bbm11/F#
00:31M16.4Ab7/F#
00:32M17.1F7sus4/Bb
00:32M17.2Bbm11
00:33 - 00:33M17.3 - M17.4BbmMaj7/C#
00:34M18.1BbmMaj7/F
00:34 - 00:35M18.2 - M18.3Gm7b5/F
00:35M18.4F11
00:36M19.1F
00:36 - 00:37M19.2 - M19.3C#
00:37M19.4Ab11
00:38M20.1Ab13
00:38M20.2Ab11
00:39 - 00:39M20.3 - M20.4C#
00:40M21.1C#aug/Eb
00:40M21.2F7/Eb
00:41M21.3Ebm7/C#
00:41M21.4C#6
00:42M22.1Bb5
00:42M22.2F#/C#
00:43M22.3Bb5
00:43M22.4F#/C#
00:44M23.1Ab11/C#
00:44M23.2Bbm(add9)
00:45M23.3F#maj7/Bb
00:45M23.4Bb5
00:46M24.1Bb
00:46M24.2Absus2/Bb
00:47M24.3Absus2
00:47M24.4C#m11/E
00:48M25.1C#
00:48M25.2C#11
00:49M25.3Bbm7/Ab
00:49M25.4C#maj9/Ab
00:50M26.1Ab6
00:50M26.2Ab13/F
00:51M26.3Ab11/F#
00:51M26.4Ab7/C
00:52M27.1F7sus4/Bb
00:52M27.2Gm7b5/F
00:53M27.3BbmMaj7/C#
00:53M27.4Bbm(add9)/F
00:54M28.1Gm7b5/F
00:54M28.2Gm7b5/Bb
00:55M28.3F/A
00:55M28.4F
00:56 - 00:56M29.1 - M29.2C#
00:57M29.3Ab13
00:57M29.4Ab9
00:58M30.1C#sus2
00:58 - 00:59M30.2 - M30.4C#
01:00M31.1C#aug
01:00 - 01:01M31.2 - M31.3F7/Eb
01:01M31.4Eb
01:02M32.1F#/C#
01:02M32.2C#6
01:03M32.3Bb5
01:03M32.4F#/C#
01:04M33.1Bb5
01:04M33.2C#sus4
01:05M33.3Ab11/C#
01:05M33.4Bbm(add9)
01:06M34.1F#maj7/Bb
01:06M34.2Fsus4/Bb
01:07M34.3Absus2
01:07 - 01:08M34.4 - M35.2Dm
01:09M35.3Dm11
01:09M35.4Dsus2
01:10M36.1Ab9
01:10M36.2Ab9/F#
01:11M36.3Ebsus4/Ab
01:11M36.4Ab7
01:12M37.1F#sus2/Ab
01:12M37.2Ab7/F#
01:13M37.3F#sus2/Ab
01:13M37.4C#maj9/F#
01:14M38.1C#5/Ab
01:14M38.2C#
01:15M38.3C#5/Ab
01:15 - 01:16M38.4 - M39.1C#/Ab
01:16M39.2C#/F
01:17M39.3F#maj7/Bb
01:17M39.4Bb7/Ab
01:18M40.1Bb
01:18M40.2Eb5/Bb
01:19M40.3EbmMaj7/Bb
01:19M40.4Ebm(add9)/F#
01:20M41.1F#6/Eb
01:20M41.2Bbsus4
01:21M41.3F#
01:21M41.4C#sus4/F#
01:22M42.1Eb7/E
01:22M42.2Eb11/C#
01:23M42.3Eb11/G
01:23M42.4Ab7
01:24M43.1Ab7sus2
01:24M43.2Ebm7
01:25M43.3C#5/Ab
01:25M43.4DmMaj7/F
01:26 - 01:26M44.1 - M44.2Dm
01:27M44.3Dm11
01:27M44.4Dsus2
01:28M45.1Ab9
01:28M45.2Ab9/F#
01:29M45.3Ebsus4/Ab
01:29M45.4Ab7
01:30M46.1F#sus2/Ab
01:30M46.2Ab7/F#
01:31M46.3F#sus2/Ab
01:31M46.4C#maj9/F#
01:32M47.1C#5/Ab
01:32M47.2C#
01:33M47.3C#5/Ab
01:33 - 01:34M47.4 - M48.1C#/Ab
01:34M48.2C#/F
01:35M48.3F#maj7/Bb
01:35M48.4Bb7/Ab
01:36M49.1Bb
01:36M49.2Eb5/Bb
01:37M49.3EbmMaj7/Bb
01:37M49.4Ebm(add9)/F#
01:38M50.1F#6/Eb
01:38M50.2Bbsus4
01:39M50.3F#
01:39M50.4C#sus4/F#
01:40M51.1Eb7/E
01:40M51.2Eb11/C#
01:41M51.3Eb11/G
01:41M51.4Ab7
01:42M52.1Ab7sus2
01:42M52.2Ebm7
01:43M52.3C#5/Ab
01:43M52.4C#maj7/F
01:44M53.1Ab
01:44M53.2Cm
01:45M53.3Ab11
01:45M53.4Abmaj9/Eb
01:46M54.1Eb/Bb
01:46M54.2Eb7sus2
01:47M54.3Bbsus4
01:47M54.4C#sus2/Eb
01:48M55.1Bbdim
01:48M55.2C#m
01:49M55.3Bbdim
01:49M55.4C7/E
01:50M56.1F/C
01:50M56.2Cdim/F
01:51M56.3Csus4
01:51M56.4Ebsus2/F
01:52M57.1Bbm/C#
01:52M57.2Fsus4
01:53M57.3F#maj7/C#
01:53M57.4Eb7sus2/Bb
01:54M58.1Eb7sus2
01:54M58.2Fsus4/Bb
01:55M58.3Fsus4
01:55M58.4F#maj7/Bb
01:56M59.1Ebm6/F#
01:56M59.2Bbsus4
01:57M59.3F#
01:57M59.4Bbm(add9)
01:58M60.1F5/C
01:58M60.2F7/A
01:59M60.3Ebm
01:59M60.4Ab7

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.