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Raindrop Prelude, Op. 28 No. 15 - Frédéric ChopinInteractive lesson ready

Raindrop Prelude, Op. 28 No. 15 - Frédéric Chopin

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Raindrop Prelude, Op. 28 No. 15 - Frédéric Chopin.

80 BPM 4:27 D-flat Major 2 tracks 1518 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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00:00
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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

80 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo80 BPM
Duration4:27
Tracks2
Notes1518
Key / ScaleD-flat Major
Pitch rangeE1 (28) - A#5 (82)
Range span54 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
C#C#/AbBbm7Ab7/CAb7Ab9/CC#Ab7/CAb9C#/Ab
00:00 - 01:06
Early middle
Ab13C#Ab7C#C#/AbAbsus2Ab7/CAb7Abadd9/CC#
01:06 - 02:13
Late middle
Ab7sus2/EbE6/C#Ab5C#mAb5C#mAb5E6/C#Ab5E6/C#
02:13 - 03:20
Ending
AbAb7/F#E6C#5Absus4AbC#m(add9)C#mAbsus4Ab
03:20 - 04:27

Description & Musical Analysis

Often called the Raindrop Prelude, Chopin’s Op. 28 No. 15 surrounds a darker C-sharp-minor middle section with a steady, repeated-note figure in D-flat major. This complete four-minute-27-second piano MIDI contains 1,518 notes across both hands.

How to Play & Trivia

The Raindrop Prelude

Chopin’s Prelude in D-flat major, Op. 28 No. 15, is commonly called the Raindrop Prelude. A repeated note keeps returning through its calm opening and later sections; the middle passage turns toward C-sharp minor before the D-flat-major music returns.

Listen and practice

The complete MIDI lasts 4 minutes and 27 seconds and contains 1,518 notes across two piano parts. Listen for the recurring accompaniment beneath the changing melody, then practice the left-hand pattern separately before joining the hands. Compare the quieter outer sections with the more tense central passage.

Score and source

This is the complete MIDI distributed with Mutopia’s five-page Edition Peters score for Prelude Op. 28 No. 15. The score is marked Public Domain and maintained by Magnus Lewis-Smith. [View the Mutopia score and MIDI source](https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=471).

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
D-flat Major
Pitch Range
E1 (28) - A#5 (82)
Total Notes
1518

Note Distribution

C
65 4.3%
C#
167 11.0%
D
4 0.3%
Eb
154 10.1%
E
73 4.8%
F
95 6.3%
F#
58 3.8%
G
6 0.4%
Ab
717 47.2%
A
8 0.5%
Bb
53 3.5%
B
118 7.8%

Tracks & Instruments

TrackInstrumentNotes
rh:acoustic grand piano928
lh:acoustic grand piano590

Chord Timeline

TimeBeatChord
00:00M1.1C#
00:00 - 00:01M1.2 - M1.3C#/Ab
00:02M1.4Bbm7
00:03M2.1Ab7/C
00:03M2.2Ab7
00:04M2.3Ab9/C
00:05M2.4C#
00:06M3.1Ab7/C
00:06 - 00:07M3.2 - M3.3Ab9
00:08M3.4C#/Ab
00:09M4.1Ab6
00:09M4.2Ab13/C
00:10M4.3C#
00:11M4.4Ab7
00:12M5.1C#
00:12 - 00:13M5.2 - M5.3C#/Ab
00:14M5.4Bbm7/Ab
00:15M6.1Ab7/C
00:15M6.2Ab7
00:16M6.3Ab9/C
00:17M6.4C#
00:18M7.1Ab7/C
00:18 - 00:19M7.2 - M7.3Ab9
00:20M7.4C#/Ab
00:21M8.1Ab6
00:21M8.2Ab6/C
00:22M8.3C#
00:23M8.4C#maj7/Ab
00:24M9.1Ab5
00:24M9.2Ab5/Eb
00:25M9.3Abm/Eb
00:26M9.4C#7
00:27M10.1F#maj7
00:27M10.2Ebm7/Bb
00:28M10.3C#
00:29M10.4C#/F
00:30M11.1Abm/Eb
00:30M11.2Abm(add9)
00:31M11.3Eb
00:32M11.4Eb7/Bb
00:33M12.1Ab
00:33M12.2Abm/B
00:34M12.3Bbm7
00:35M12.4C#m/Ab
00:36M13.1Ab5
00:36M13.2Abm/B
00:37M13.3Abm
00:38M13.4Abdim7/B
00:39M14.1Ebm(add9)
00:39M14.2F#6
00:40M14.3Bb5
00:41M14.4Bbm/F
00:42M15.1C#/F
00:42M15.2Bbm(add9)/F
00:43M15.3F5
00:44M15.4F7
00:45M16.1Bb5
00:45M16.2C#/F
00:46M16.3F7sus2
00:47M16.4Ebm(add9)/F
00:48M17.1C#/F
00:48M17.2Bbm(add9)/F
00:49M17.3F7/A
00:50M17.4C#maj9/F
00:51M18.1Bb5
00:51M18.2F7sus2
00:52M18.3C#/F
00:53M18.4F7sus2
00:54 - 00:54M19.1 - M19.2C#/F
00:55M19.3C#11/F
00:56M19.4Ab7
00:57M20.1C#
00:57 - 00:58M20.2 - M20.3C#/Ab
00:59M20.4Bbm7
01:00M21.1Ab7/C
01:00M21.2Ab7
01:01M21.3Abadd9/C
01:02M21.4C#
01:03M22.1Ab7/C
01:03 - 01:04M22.2 - M22.3Ab9
01:05M22.4C#/Ab
01:06M23.1Ab6
01:06M23.2Ab13
01:07M23.3C#
01:08M23.4Ab7
01:09M24.1C#
01:09 - 01:10M24.2 - M24.3C#/Ab
01:11M24.4Absus2
01:12M25.1Ab7/C
01:12M25.2Ab7
01:13M25.3Abadd9/C
01:14M25.4C#
01:15M26.1Ab7/C
01:15 - 01:16M26.2 - M26.3Ab9
01:17M26.4Ab
01:18M27.1Ab7sus2/Eb
01:18M27.2Ab7sus2
01:19 - 01:20M27.3 - M27.4Ab
01:21M28.1C#5
01:21M28.2Ebsus4
01:22M28.3E6/C#
01:23M28.4Ab/C
01:24M29.1Ebsus4
01:24M29.2E
01:25M29.3Ab7sus2/Eb
01:26 - 01:27M29.4 - M30.1E6/C#
01:27M30.2Ab5
01:28M30.3C#m
01:29 - 01:33M30.4 - M32.1Ab5
01:33M32.2C#m
01:34M32.3Ab5
01:35M32.4E6/C#
01:36M33.1Ab5
01:36M33.2E6/C#
01:37M33.3Ab/C
01:38M33.4E6/C#
01:39M34.1Ab/C
01:39M34.2E6/C#
01:40M34.3Ebsus4
01:41M34.4C#m
01:42 - 01:44M35.1 - M35.4Ab5
01:45M36.1C#5
01:45M36.2Ebsus4
01:46M36.3E6/C#
01:47M36.4Ab/C
01:48M37.1Ebsus4
01:48M37.2E
01:49M37.3Ab7sus2/Eb
01:50 - 01:51M37.4 - M38.1E6/C#
01:51M38.2Ab5
01:52M38.3C#m
01:53 - 01:56M38.4 - M39.4Ab5
01:57 - 01:57M40.1 - M40.2E
01:58 - 01:59M40.3 - M40.4B6
02:00 - 02:00M41.1 - M41.2E
02:01M41.3B6
02:02M41.4Abm(add9)/Bb
02:03 - 02:03M42.1 - M42.2Abm
02:04 - 02:05M42.3 - M42.4Ebaug
02:06M43.1Abm
02:06 - 02:08M43.2 - M43.4Ab
02:09M44.1C#5
02:09M44.2Ebsus4
02:10M44.3E6/C#
02:11M44.4Ab/C
02:12M45.1Ebsus4
02:12M45.2E
02:13M45.3Ab7sus2/Eb
02:14 - 02:15M45.4 - M46.1E6/C#
02:15M46.2Ab5
02:16M46.3C#m
02:17 - 02:21M46.4 - M48.1Ab5
02:21M48.2C#m
02:22M48.3Ab5
02:23M48.4E6/C#
02:24M49.1Ab5
02:24M49.2E6/C#
02:25M49.3Ab/C
02:26M49.4E6/C#
02:27M50.1Ab/C
02:27M50.2E6/C#
02:28M50.3Ebsus4
02:29M50.4C#m
02:30 - 02:32M51.1 - M51.4Ab5
02:33M52.1C#5
02:33M52.2Ebsus4
02:34M52.3E6/C#
02:35M52.4Ab/C
02:36M53.1Ebsus4
02:36M53.2E
02:37M53.3Ab7sus2/Eb
02:38 - 02:39M53.4 - M54.1E6/C#
02:39M54.2Ab5
02:40M54.3C#m
02:41 - 02:44M54.4 - M55.4Ab5
02:45 - 02:45M56.1 - M56.2E
02:46 - 02:47M56.3 - M56.4B6
02:48 - 02:48M57.1 - M57.2E
02:49M57.3B6
02:50M57.4Abm(add9)/Bb
02:51 - 02:51M58.1 - M58.2Abm
02:52 - 02:53M58.3 - M58.4Ebaug
02:54M59.1Abm
02:54 - 02:56M59.2 - M59.4Ab
02:57 - 02:57M60.1 - M60.2Ab7/Eb
02:58M60.3E6
02:59M60.4C#5
03:00 - 03:01M61.1 - M61.3Absus4
03:02M61.4Ab
03:03M62.1C#m(add9)
03:03M62.2C#m
03:04M62.3Absus4
03:05M62.4Ab
03:06M63.1Amaj7
03:06M63.2A6
03:07M63.3Absus4
03:08M63.4F#m
03:09 - 03:09M64.1 - M64.2Ab
03:10M64.3C#m
03:11M64.4Bbm7/C#
03:12M65.1Ab
03:12M65.2C#m
03:13M65.3Bbm7/C#
03:14 - 03:15M65.4 - M66.1C#m
03:15M66.2Ab
03:16M66.3Ab7sus2
03:17M66.4C#m
03:18 - 03:20M67.1 - M67.4Ab
03:21 - 03:21M68.1 - M68.2Ab7/F#
03:22M68.3E6
03:23M68.4C#5
03:24 - 03:25M69.1 - M69.3Absus4
03:26M69.4Ab
03:27M70.1C#m(add9)
03:27M70.2C#m
03:28M70.3Absus4
03:29M70.4Ab
03:30 - 03:30M71.1 - M71.2C#7/F
03:31M71.3F#m(add9)
03:32M71.4F#m

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.