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La plus que lente, L. 121 — Claude DebussyInteractive lesson ready

La plus que lente, L. 121 — Claude Debussy

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for La plus que lente, L. 121 — Claude Debussy.

90 BPM 4:45 F# Major 2 tracks 1445 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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00:00
00:00
0
100%
100%

Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

90 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo90 BPM
Duration4:45
Tracks2
Notes1445
Key / ScaleF# Major
Pitch rangeD#1 (27) - A#6 (94)
Range span67 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
C#EbEbm(add9)/F#C#augC#11/F#C#augF#sus2A/C#C#augEbm(add9)/F
00:00 - 01:11
Early middle
Abm9/EbAbm(add9)/EbBmaj7/EbEb7sus2Fsus4C#9C#11/FC#7sus2/EbC#11/EbC#sus2
01:11 - 02:22
Late middle
Emaj7Cdim7/AC#m(add9)Am/EE7sus4/AC#mMaj7/EA/C#F#m7/AC#m(add9)A
02:22 - 03:34
Ending
Bmaj9/C#Abm/BAdim7Cdim7/AEb7sus2/BbEbm9/BbF7/AF/AB13/AbAbm6
03:34 - 04:45

Description & Musical Analysis

La plus que lente is a slow, expressive waltz built around flexible phrasing and delicate changes in color. This file lasts 4:46 and contains 1,445 note events.

How to Play & Trivia

About this MIDI

La plus que lente is a slow, expressive waltz built around flexible phrasing and delicate changes in color. This piano arrangement follows the complete piece. This file lasts 4:46 and contains 1,445 note events.

Practice focus

Let the melody breathe over the gently swaying accompaniment; the unhurried pulse gives the waltz its distinctive character.

Score source: [PDMX v9, Zenodo record 15571083](https://zenodo.org/records/15571083). This score is marked CC0 1.0 in the dataset metadata. Dataset attribution: Phillip Long, Zachary Novack, Julian McAuley, and Taylor Berg-Kirkpatrick (CC BY 4.0).

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
F# Major
Pitch Range
D#1 (27) - A#6 (94)
Total Notes
1445

Note Distribution

C
46 3.2%
C#
204 14.1%
D
52 3.6%
Eb
169 11.7%
E
59 4.1%
F
160 11.1%
F#
184 12.7%
G
30 2.1%
Ab
187 12.9%
A
71 4.9%
Bb
164 11.3%
B
119 8.2%

Tracks & Instruments

TrackInstrumentNotes
Pianoacoustic grand piano853
Pianoacoustic grand piano592

Chord Timeline

TimeBeatChord
00:00M1.2C#
00:01M1.3Eb
00:02M2.1Ebm(add9)/F#
00:02 - 00:03M2.2 - M2.3C#aug
00:04M3.1C#11/F#
00:04 - 00:05M3.2 - M3.3C#aug
00:06M4.1F#sus2
00:06M4.2A/C#
00:07M4.3C#aug
00:08M5.1Ebm(add9)/F
00:08M5.2C#aug
00:09M5.3A/C#
00:10M6.1Ebm7b5/C#
00:10M6.2F#mMaj7
00:11M6.3Amaj7/C#
00:12M7.1C#aug
00:12M7.2C#11
00:13M7.3C#aug
00:14M8.1F#/C#
00:14M8.2Ebm/F#
00:15 - 00:16M8.3 - M9.1Eb7sus2
00:16M9.2Ebm/F#
00:17M9.3F#6/Eb
00:18M10.1Eb7sus2
00:18M10.2Ab7sus2
00:19 - 00:20M10.3 - M11.1Abm9
00:20M11.2Abm7
00:21M11.3C#11/B
00:22M12.1C#7/B
00:22M12.2Abm6/B
00:23M12.3Badd9/F#
00:24M13.1B/F#
00:24M13.2C#7/B
00:25M13.3B
00:26M14.1Bbm
00:26M14.2Abm/B
00:27 - 00:28M14.3 - M15.1Abm9
00:28M15.2Abm6
00:29M15.3Abm9
00:30M16.1Abm(add9)
00:30M16.2Fdim/Ab
00:31M16.3C#11/B
00:32M17.1Abm6/F
00:32 - 00:33M17.2 - M17.3G7/F
00:34M18.1Abdim7/F
00:34M18.2C#7/Ab
00:35M18.3C#sus2
00:36M19.1Ebm(add9)/F#
00:36 - 00:37M19.2 - M19.3C#aug
00:38M20.1C#11/F#
00:38 - 00:39M20.2 - M20.3C#aug
00:40M21.1C#11/F#
00:40M21.2F#m/C#
00:41M21.3C#aug
00:42M22.1C#11/F#
00:42M22.2C#aug
00:43M22.3A/C#
00:44M23.1Ebm9/C#
00:44M23.2F#mMaj7
00:45 - 00:46M23.3 - M24.1C#aug
00:46M24.2C#11
00:47M24.3C#aug
00:48M25.1F#
00:48M25.2F#6
00:49M25.3F#6/Eb
00:50M26.1Eb7sus2
00:50M26.2Ebm
00:51M26.3F#6/Eb
00:52M27.1Eb7sus2
00:52 - 00:53M27.2 - M27.3Bmaj7
00:54M28.1B
00:54M28.2Bmaj7/F#
00:55 - 00:56M28.3 - M29.1F#add9/Ab
00:56M29.2Ebm7
00:57M29.3Badd9
00:58M30.1Abm11/B
00:58M30.2Fm/F#
00:59M30.3Ebm11/F#
01:00M31.1Badd9/C#
01:00M31.2Bbm
01:01M31.3Badd9
01:02M32.1Ebsus2/F
01:02M32.2Fsus4/Bb
01:03M32.3Dm
01:04M33.1Fm/Ab
01:04M33.2F#5
01:05M33.3F#
01:06M34.1F#11
01:06M34.2Badd9/C#
01:07M34.3Bb/D
01:08M35.1BmMaj7/Bb
01:08M35.2Ddim7
01:09M35.3BmMaj7/D
01:10M36.1Bm(add9)/D
01:10M36.2Dm
01:11 - 01:12M36.3 - M37.1Abm9/Eb
01:12M37.2Abm(add9)/Eb
01:13M37.3Bmaj7/Eb
01:14M38.1Eb7sus2
01:14M38.2Fsus4
01:15M38.3C#9
01:16M39.1C#11/F
01:16M39.2C#7sus2/Eb
01:17M39.3C#11/Eb
01:18M40.1C#sus2
01:18M40.2C#7
01:19M40.3Abm11/C#
01:20M41.1Bmaj7/F#
01:20M41.2Badd9/F#
01:21M41.3Ebm(add9)/F#
01:22M42.1Abm9/Bb
01:22M42.2Abm9/Eb
01:23M42.3Abm(add9)
01:24M43.1Abm11
01:24M43.2Ebsus2
01:25M43.3Bb
01:26 - 01:26M44.1 - M44.2Bb7
01:27 - 01:28M44.3 - M45.1Bb
01:28M45.2Cm/Eb
01:29M45.3Cm7/Bb
01:30M46.1Fm(add9)/G
01:30M46.2Ebadd9/G
01:31M46.3D7
01:32M47.1B7/F#
01:32M47.2B13/A
01:33M47.3Bb7/F
01:34M48.1Bb7
01:34M48.2Cm7/Eb
01:35M48.3Abmaj9/Bb
01:36M49.1Fm(add9)/G
01:36M49.2Ebadd9/G
01:37M49.3D7
01:38M50.1B7/F#
01:38M50.2B13/Ab
01:39M50.3Bb7/F
01:40M51.1Bb7
01:40M51.2Absus4
01:41M51.3C#13/F
01:42M52.1G11
01:42M52.2C7/G
01:43M52.3E
01:44M53.1Eb7
01:44M53.2Eb9/Bb
01:45M53.3F#
01:46M54.1Ebm7b5/A
01:46M54.2F#m(add9)/Ab
01:47M54.3B13/Ab
01:48M55.1C#9/Ab
01:48M55.2F#m6/C#
01:49M55.3Badd9/F#
01:50M56.1B
01:50M56.2Fm7b5/B
01:51M56.3Fm7b5/Ab
01:52M57.1Csus4/F
01:52M57.2Dm7b5/C
01:53M57.3Ddim/Ab
01:54M58.1C#7/B
01:54M58.2Fm7b5/Ab
01:55M58.3Fm7/Ab
01:56M59.1C#
01:56M59.2C#/Ab
01:57M59.3C#add9/D
01:58 - 01:58M60.1 - M60.2Dm7b5
01:59M60.3Fm7/Eb
02:00M61.1Abm6
02:00M61.2Ebm/F#
02:01M61.3Ebsus4/Ab
02:02 - 02:02M62.1 - M62.2Abm9
02:03M62.3Abm(add9)
02:04M63.1Ab5
02:04 - 02:05M63.2 - M63.3Absus2
02:06M64.1Ab9
02:06M64.2Abadd9
02:07 - 02:08M64.3 - M65.1Ab7sus2
02:08M65.2F#add9/Ab
02:09M65.3F#add9/Bb
02:10M66.1Ab7sus2/Bb
02:10M66.2Fm/F#
02:11M66.3Ebm11
02:12M67.1Badd9/C#
02:12M67.2Bbm
02:13M67.3C#7sus2/B
02:14M68.1Abm6/F
02:14M68.2Fsus4/Bb
02:15M68.3Ddim
02:16M69.1F#sus2
02:16 - 02:17M69.2 - M69.3F#
02:18M70.1C
02:18M70.2Bbm(add9)/C#
02:19M70.3Bb
02:20M71.1E9/Ab
02:20M71.2E11/A
02:21M71.3E
02:22M72.1C#m7/Ab
02:22M72.2Bdim7/Ab
02:23M72.3Emaj7
02:24M73.1Cdim7/A
02:24M73.2C#m(add9)
02:25M73.3Am/E
02:26M74.1E7sus4/A
02:26M74.2C#mMaj7/E
02:27M74.3A/C#
02:28M75.1F#m7/A
02:28M75.2C#m(add9)
02:29M75.3A
02:30M76.1Edim7/Bb
02:30M76.2Bbdim7/G
02:31M76.3Edim7/G
02:32M77.1Em7/B
02:32M77.2E7/Ab
02:33M77.3E9/Ab
02:34M78.1Ab11/C#
02:34M78.2C#dim7/Bb
02:35M78.3Em9/D
02:36M79.1Cm11/Eb
02:36 - 02:37M79.2 - M79.3Ab7/Eb
02:38M80.1F#m11/Ab
02:38M80.2Bm9
02:39M80.3Bm6
02:40M81.1A6/9/B

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.