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Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Money - Pink Floyd.
Read the song by harmony, melody, rhythm, and section behavior.
Emphasize the iconic bass riff on piano or guitar to capture the song's essence
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| Track | Instrument | Notes |
|---|---|---|
| 148 | ||
| 981 | ||
| 1044 | ||
| 1368 | ||
| 122 | ||
| 1980 | ||
| 241 |
| Time | Beat | Chord |
|---|---|---|
| 00:17 | M6.1 | B |
| 00:18 | M6.2 | F#sus4/B |
| 00:18 | M6.3 | B |
| 00:19 | M6.4 | F# |
| 00:19 | M6.5 | A |
| 00:20 | M6.6 | B |
| 00:20 | M6.7 | D |
| 00:21 | M7.1 | B |
| 00:21 | M7.2 | F#sus4/B |
| 00:22 | M7.3 | B |
| 00:22 | M7.4 | F# |
| 00:23 | M7.5 | A |
| 00:23 | M7.6 | B |
| 00:24 | M7.7 | D |
| 00:24 | M8.1 | B |
| 00:25 | M8.2 | F#sus4/B |
| 00:25 | M8.3 | B |
| 00:26 | M8.4 | F# |
| 00:26 | M8.5 | A |
| 00:27 | M8.6 | B |
| 00:27 | M8.7 | D |
| 00:28 | M9.1 | B |
| 00:28 | M9.2 | F#sus4/B |
| 00:29 | M9.3 | B |
| 00:29 | M9.4 | F# |
| 00:30 | M9.5 | A |
| 00:30 | M9.6 | B |
| 00:31 | M9.7 | D |
| 00:31 | M10.1 | B |
| 00:32 | M10.2 | F#sus4/B |
| 00:32 | M10.3 | B |
| 00:33 | M10.4 | F# |
| 00:33 | M10.5 | A |
| 00:34 | M10.6 | B |
| 00:34 | M10.7 | D |
| 00:35 | M11.1 | B |
| 00:35 | M11.2 | F#sus4/B |
| 00:36 | M11.3 | B |
| 00:36 | M11.4 | F# |
| 00:37 | M11.5 | A |
| 00:37 | M11.6 | B |
| 00:38 | M11.7 | D |
| 00:38 | M12.1 | B |
| 00:39 | M12.2 | Bm7 |
| 00:39 | M12.3 | B |
| 00:40 | M12.4 | F# |
| 00:40 | M12.5 | A |
| 00:41 | M12.6 | Bm |
| 00:41 | M12.7 | D |
| 00:42 | M13.1 | B |
| 00:42 | M13.2 | Bm |
| 00:43 | M13.3 | B |
| 00:43 | M13.4 | Bm/F# |
| 00:44 | M13.5 | A |
| 00:44 | M13.6 | Bm |
| 00:45 | M13.7 | D |
| 00:45 | M14.1 | B |
| 00:46 | M14.2 | Bm7 |
| 00:46 | M14.3 | B |
| 00:47 | M14.4 | D/F# |
| 00:47 | M14.5 | A |
| 00:48 | M14.6 | Bm |
| 00:48 | M14.7 | D |
| 00:49 | M15.1 | B |
| 00:49 | M15.2 | Bm7 |
| 00:50 | M15.3 | B |
| 00:50 | M15.4 | D/F# |
| 00:51 | M15.5 | A |
| 00:51 | M15.6 | Bm |
| 00:52 | M15.7 | D |
| 00:52 | M16.1 | B5 |
| 00:53 | M16.2 | Bm7 |
| 00:53 | M16.3 | B |
| 00:54 | M16.4 | D/F# |
| 00:54 | M16.5 | A |
| 00:55 | M16.6 | B |
| 00:55 | M16.7 | D |
| 00:56 | M17.1 | B |
| 00:56 - 00:57 | M17.2 - M17.3 | Bm7 |
| 00:57 | M17.4 | F# |
| 00:58 | M17.5 | A |
| 00:58 | M17.6 | B |
| 00:59 | M17.7 | D |
| 00:59 | M18.1 | Bm |
| 01:00 | M18.2 | D |
| 01:00 | M18.3 | Bm |
| 01:01 | M18.4 | F# |
| 01:01 | M18.5 | A |
| 01:02 | M18.6 | B |
| 01:02 | M18.7 | Dsus2 |
| 01:03 | M19.1 | Bsus4 |
| 01:03 | M19.2 | Bm7 |
| 01:04 | M19.3 | B |
| 01:04 | M19.4 | D/F# |
| 01:05 | M19.5 | A |
| 01:05 | M19.6 | Bm |
| 01:06 | M19.7 | D |
| 01:06 | M20.1 | B5 |
| 01:07 | M20.2 | Bm7 |
| 01:07 | M20.3 | B |
| 01:08 | M20.4 | D/F# |
| 01:08 | M20.5 | A |
| 01:09 | M20.6 | Bm |
| 01:09 | M20.7 | D |
| 01:10 | M21.1 | B |
| 01:10 - 01:11 | M21.2 - M21.3 | Bm7 |
| 01:11 | M21.4 | F# |
| 01:12 | M21.5 | A |
| 01:12 | M21.6 | B |
| 01:13 | M21.7 | D |
| 01:13 | M22.1 | Bm |
| 01:14 | M22.2 | D |
| 01:14 | M22.3 | Bm |
| 01:15 | M22.4 | F# |
| 01:15 | M22.5 | A |
| 01:16 | M22.6 | B |
| 01:16 | M22.7 | Dsus2 |
| 01:17 | M23.1 | Bsus4 |
| 01:17 | M23.2 | Bm7 |
| 01:18 | M23.3 | B |
| 01:18 | M23.4 | D/F# |
| 01:19 | M23.5 | A |
| 01:19 | M23.6 | Bm |
| 01:20 | M23.7 | D |
| 01:20 - 01:21 | M24.1 - M24.2 | F# |
| 01:21 | M24.3 | C#sus4/F# |
| 01:22 | M24.4 | F# |
| 01:22 | M24.5 | A |
| 01:23 | M24.6 | C#5 |
| 01:23 | M24.7 | F# |
| 01:24 | M25.1 | F |
| 01:24 | M25.2 | Bsus4/E |
| 01:25 | M25.3 | E |
| 01:25 | M25.4 | G |
| 01:26 | M25.5 | A |
| 01:26 | M25.6 | Asus2/B |
| 01:27 | M25.7 | D |
| 01:27 | M26.1 | B |
| 01:28 | M26.2 | Bm7 |
| 01:28 | M26.3 | B5 |
| 01:29 | M26.4 | D/F# |
| 01:29 | M26.5 | A |
| 01:30 | M26.6 | Bm |
| 01:30 | M26.7 | D |
| 01:31 | M27.1 | B |
| 01:31 | M27.2 | Bm7 |
| 01:32 | M27.3 | B |
| 01:32 | M27.4 | D/F# |
| 01:33 | M27.5 | A |
| 01:33 | M27.6 | Bm |
| 01:34 | M27.7 | D |
| 01:34 | M28.1 | B5 |
| 01:35 | M28.2 | Bm7 |
| 01:35 | M28.3 | B |
| 01:36 | M28.4 | D/F# |
| 01:36 | M28.5 | A |
| 01:37 | M28.6 | Bm |
| 01:37 | M28.7 | D |
| 01:38 | M29.1 | B |
| 01:38 - 01:39 | M29.2 - M29.3 | Bm7 |
| 01:39 | M29.4 | F# |
| 01:40 | M29.5 | A |
| 01:40 | M29.6 | B |
| 01:41 | M29.7 | D |
| 01:41 | M30.1 | Bm |
| 01:42 | M30.2 | D |
| 01:42 | M30.3 | Bm |
| 01:43 | M30.4 | F# |
| 01:43 | M30.5 | A |
| 01:44 | M30.6 | B |
| 01:44 | M30.7 | Dsus2 |
| 01:45 | M31.1 | Bsus4 |
| 01:45 | M31.2 | Bm7 |
| 01:46 | M31.3 | B |
| 01:46 | M31.4 | D/F# |
| 01:47 | M31.5 | A |
| 01:47 | M31.6 | Bm |
| 01:48 | M31.7 | D |
| 01:48 | M32.1 | B5 |
| 01:49 | M32.2 | Bm7 |
| 01:49 | M32.3 | B |
| 01:50 | M32.4 | D/F# |
| 01:50 | M32.5 | A |
| 01:51 | M32.6 | Bm |
| 01:51 | M32.7 | D |
| 01:52 | M33.1 | B |
| 01:52 - 01:53 | M33.2 - M33.3 | Bm7 |
| 01:53 | M33.4 | F# |
| 01:54 | M33.5 | A |
| 01:54 | M33.6 | B |
| 01:55 | M33.7 | D |
| 01:55 | M34.1 | Bm |
| 01:56 | M34.2 | D |
| 01:56 | M34.3 | Bm |
| 01:57 | M34.4 | F# |
| 01:57 | M34.5 | A |
| 01:58 | M34.6 | B |
| 01:58 | M34.7 | Dsus2 |
| 01:59 | M35.1 | Bsus4 |
| 01:59 | M35.2 | Bm7 |
| 02:00 | M35.3 | B |
| 02:00 | M35.4 | D/F# |
| 02:01 | M35.5 | A |
| 02:01 | M35.6 | Bm |
| 02:02 | M35.7 | D |
| 02:02 - 02:03 | M36.1 - M36.2 | F# |
| 02:03 | M36.3 | C#sus4/F# |
| 02:04 | M36.4 | F# |
| 02:04 | M36.5 | A |
| 02:05 | M36.6 | C#5 |
| 02:05 | M36.7 | F# |
| 02:06 | M37.1 | F |
| 02:06 | M37.2 | Bsus4/E |
| 02:07 | M37.3 | E |
| 02:07 | M37.4 | G |
| 02:08 | M37.5 | A |
| 02:08 | M37.6 | Asus2/B |
| 02:09 | M37.7 | D |
| 02:09 | M38.1 | B |
| 02:10 | M38.2 | Bm7 |
The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.
