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Ore no Imouto ga Konna ni Kawaii Wake ga Nai - TadaimaInteractive lesson ready

Ore no Imouto ga Konna ni Kawaii Wake ga Nai - Tadaima

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Ore no Imouto ga Konna ni Kawaii Wake ga Nai - Tadaima.

115 BPM 1:35 F Minor 2 tracks 801 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

115 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo115 BPM
Duration1:35
Tracks2
Notes801
Key / ScaleF Minor
Pitch rangeF1 (29) - A#6 (94)
Range span65 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Verse
F#maj7C#maj9/AbAbFmBbm9/FBbm7F#maj7C#maj9/AbAbBb9/F
00:00 - 00:23
Pre-Chorus
Bb/FF#add9F#maj9F#maj7/BbF#add9F#maj9F#maj9/BbEbm9/BbFmBb7
00:23 - 00:47
Chorus
Bb6Gm/BbBb6Gm7/BbAbAbadd9AbGmEb/GEbadd9/G
00:47 - 01:11
Bridge
Fsus2Fm(add9)FmAb6/FFmEbadd9/FAbmAbmMaj7Abm(add9)Bb7/Ab
01:11 - 01:35

Description & Musical Analysis

Tadaima from Ore no Imouto ga Konna ni Kawaii Wake ga Nai, composed by Hiroshi Sasaki, is a beautiful anime soundtrack piece

How to Play & Trivia

Why this page helps

Ore no Imouto ga Konna ni Kawaii Wake ga Nai - Tadaima is arranged as a practical study page so you can hear the full MIDI playback, watch the notes land in time, and compare the same passage across piano, guitar, sheet music, and wind-friendly views.

A simple practice path

Start by listening to the full arrangement once. Then slow the tempo, isolate the phrases that repeat, and compare the visual keyboard, chord cues, and notation to confirm both melody and harmony.

Musical snapshot

  • Tempo: 115 BPM
  • Key / scale: F Minor
  • Note count: 801
  • Duration: 1:35

What to focus on

Use the piano view to clean up timing, follow the chord cues to understand harmonic movement, and open the wind view when you want a clearer melodic contour for recorder, flute, clarinet, saxophone, or trumpet practice.

Related context

This arrangement also sits close to Tadaima, which is useful when you want to stay inside the same soundtrack, game, or style family.
Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
F Minor
Pitch Range
F1 (29) - A#6 (94)
Total Notes
801

Note Distribution

C
97 12.1%
C#
77 9.6%
D
41 5.1%
Eb
84 10.5%
E
0 0.0%
F
140 17.5%
F#
46 5.7%
G
56 7.0%
Ab
125 15.6%
A
2 0.2%
Bb
129 16.1%
B
4 0.5%

Tracks & Instruments

TrackInstrumentNotes
Pianoacoustic grand piano320
Sound 2acoustic grand piano481

Chord Timeline

TimeBeatChord
00:00M1.1F#maj7
00:00M1.2C#maj9/Ab
00:01 - 00:01M1.3 - M1.4Ab
00:02M2.1Fm
00:02M2.2Bbm9/F
00:03 - 00:03M2.3 - M2.4Bbm7
00:04M3.1F#maj7
00:04M3.2C#maj9/Ab
00:05M3.3Ab
00:05M3.4Bb9/F
00:06 - 00:07M4.1 - M4.4Bb/F
00:08M5.1F#maj7
00:08M5.2Bbm9
00:09M5.3Absus4
00:09M5.4Ab/C
00:10M6.1Fm7
00:10M6.2Bbm9/F
00:11M6.3Bbm/F
00:12M6.4Bbm/C#
00:12M7.1F#maj7
00:13M7.2Bbm9
00:13M7.3Ab7
00:14M7.4C#maj9/Ab
00:14M8.1Fm7
00:15M8.2F#maj9/F
00:15M8.3Bbm
00:16M8.4C#/F
00:16M9.1F#maj7
00:17M9.2Bbm9
00:17M9.3Absus4
00:18M9.4Ab/C
00:18M10.1Fm7
00:19 - 00:19M10.2 - M10.3Bbm9/F
00:20M10.4Bbm7
00:20M11.1F#maj9
00:21M11.2C#maj9/Bb
00:21M11.3Ab7
00:22M11.4Ab6
00:22 - 00:24M12.1 - M12.4Bb/F
00:25M13.1F#add9
00:25 - 00:26M13.2 - M13.3F#maj9
00:26M13.4F#maj7/Bb
00:27M14.1F#add9
00:27M14.2F#maj9
00:28M14.3F#maj9/Bb
00:28M14.4Ebm9/Bb
00:29 - 00:30M15.1 - M15.4Fm
00:31 - 00:32M16.1 - M16.3Bb7
00:32M16.4Bb7/D
00:33M17.1Ebsus4
00:33M17.2Cm7/Eb
00:34M17.3F#
00:34M17.4Fm7/Eb
00:35M18.1Fm
00:36M18.2Fm/Ab
00:36M18.3Ab
00:37M18.4Fm
00:37 - 00:38M19.1 - M19.2F#sus4
00:38M19.3F#m(add9)
00:39M19.4Ab7/F#
00:39 - 00:40M20.1 - M20.2Ab
00:40M20.3Ab5
00:41M20.4Fm/Ab
00:41 - 00:42M21.1 - M21.2Eb
00:42M21.3Ebadd9
00:43M21.4Eb6
00:43 - 00:44M22.1 - M22.2Bb/D
00:44M22.3Bbadd9/D
00:45M22.4Bb7/D
00:45 - 00:46M23.1 - M23.2Cm
00:46M23.3Cm(add9)
00:47M23.4Abmaj7/C
00:48M24.1Bb6
00:48M24.2Gm/Bb
00:49M24.3Bb6
00:49M24.4Gm7/Bb
00:50 - 00:50M25.1 - M25.2Ab
00:51M25.3Abadd9
00:51M25.4Ab
00:52M26.1Gm
00:52 - 00:53M26.2 - M26.3Eb/G
00:53M26.4Ebadd9/G
00:54M27.1Fm
00:54M27.2Fm(add9)
00:55M27.3Fsus4
00:55M27.4Bbadd9/F
00:56 - 00:56M28.1 - M28.2Bb
00:57M28.3Bbsus4
00:57M28.4Bb5
00:58 - 00:58M29.1 - M29.2Eb
00:59M29.3Ebadd9
01:00M29.4Eb6
01:00 - 01:01M30.1 - M30.2Bb/D
01:01M30.3Bbadd9/D
01:02M30.4Bb7/D
01:02 - 01:03M31.1 - M31.2Cm
01:03M31.3Cm(add9)
01:04M31.4Abmaj7/C
01:04M32.1Bbdim7
01:05M32.2Gdim/Bb
01:05M32.3Bbm7
01:06M32.4Gm/Bb
01:06 - 01:07M33.1 - M33.2Ab
01:07M33.3Abadd9
01:08M33.4Ab
01:08M34.1Gm
01:09 - 01:09M34.2 - M34.3Eb/G
01:10M34.4Ebadd9/G
01:10M35.1Fm
01:11 - 01:12M35.2 - M35.3Fsus2
01:12M35.4Fm(add9)
01:13M36.1Fm
01:13M36.2Ab6/F
01:14M36.3Fm
01:14M36.4Ebadd9/F
01:15M37.1Abm
01:15M37.2AbmMaj7
01:16M37.3Abm(add9)
01:16M37.4Bb7/Ab
01:17M38.1Bb
01:17M38.2Bb5
01:18M38.3Ebadd9/F
01:18M38.4Bbsus4
01:19M39.1F#maj7
01:19M39.2C#maj9/Ab
01:20 - 01:20M39.3 - M39.4Ab
01:21M40.1Fm
01:21M40.2Bbm9/F
01:22 - 01:22M40.3 - M40.4Bbm7
01:23M41.1F#maj7
01:24M41.2C#maj9/Ab
01:24M41.3Ab
01:25M41.4Bb9/F
01:25 - 01:27M42.1 - M42.4Bb/F
01:27M43.1F#maj7
01:28M43.2C#maj9/Ab
01:28 - 01:29M43.3 - M43.4Ab
01:29M44.1Fm
01:30M44.2Bbm9/F
01:30 - 01:31M44.3 - M44.4Bbm7
01:31M45.1F#maj7
01:32M45.2C#maj9/Ab
01:32M45.3Ab
01:33M45.4Bb9/F
01:33 - 01:35M46.1 - M46.4Bb/F