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Revolutionary Étude, Op. 10 No. 12 - Frédéric ChopinInteractive lesson ready

Revolutionary Étude, Op. 10 No. 12 - Frédéric Chopin

Learn the arrangement, follow the rhythm visually, and move between chords, sheet music, and alternate instruments for Revolutionary Étude, Op. 10 No. 12 - Frédéric Chopin.

160 BPM 2:05 C Minor 2 tracks 2082 notes

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Mode Concert: the MIDI melody is played as is, with the instrument's didactic fingering (out-of-range notes skip octaves). Mode Written: applies the real transposition of each instrument (alto sax in Eb +9, clarinet/trumpet in Bb +2).

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Musical Analysis

Read the song by harmony, melody, rhythm, and section behavior.

160 BPM

Metrics Radar

Song profile
This song Balanced reference

Song Snapshot

Playable signals
Tempo160 BPM
Duration2:05
Tracks2
Notes2082
Key / ScaleC Minor
Pitch rangeC1 (24) - G#6 (92)
Range span68 semitones

Melody Distribution

Registers by section

Chord Progressions

Main harmonic movement
Opening
G7/BAbmMaj7/GDmAbmMaj7/GDmGsus4/CFm9/AbG7/DDm11AbmMaj7/G
00:00 - 00:31
Early middle
Abmaj7Cm(add9)/GCm(add9)/DCm(add9)Cm(add9)/EbCm(add9)/GF13/CF13/EbDm7/CF13/Eb
00:31 - 01:02
Late middle
Fm9/AbG7/FDm11/FAbmMaj7/GDmAbmMaj7/GDmGsus4/CFm9/AbG7/B
01:02 - 01:33
Ending
Cm(add9)/GCdim7F#dim7/EbCdim7F#dim7/EbF#add9/BbF#add9/AbF#maj9Gm7b5/FBbm9/F
01:33 - 02:05

Description & Musical Analysis

Chopin’s Revolutionary Étude, Op. 10 No. 12, sets an urgent C-minor melody against continuous left-hand runs. Follow the complete 84-bar piano edition, then slow the passages to hear how the harmony turns beneath the rushing motion.

How to Play & Trivia

About the Revolutionary Étude

Chopin’s Étude in C minor, Op. 10 No. 12, is known as the Revolutionary Étude for its restless left-hand motion and forceful melody. The piano writing keeps the accompaniment moving almost continuously while the right hand carries the main musical line, creating a striking contrast between momentum and expression.

Listen and practice

This complete MIDI edition lasts about 2 minutes and 5 seconds and contains both piano staves. Begin slowly enough to keep the left-hand pattern even. Then bring the melody forward and notice where the harmony shifts, especially at the ends of phrases. The note display can help locate octave changes and follow the score’s full 84-bar span.

Edition source

The MIDI follows the complete piano score listed by Mutopia as Op. 10, No. 12. The Mutopia entry identifies the 1900 Peters edition, typeset by Herrmann Scholtz, and marks it Public Domain. [View the score, edition details, and MIDI source at Mutopia](https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=743).

Available Instruments: Piano (Grand, Upright, Electric), Synthesizer, Organ, Guitar, 12-String Guitar, Viola Caipira, Ukulele, Bass (4 and 5 strings), Violin, Viola, Cello, Harp, Kalimba, Marimba, Xylophone, Vibraphone, Glockenspiel, Recorder, Flute, Ocarina, Saxophone, Clarinet, and Trumpet.

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MIDI Technical Specifications

Key / Scale
C Minor
Pitch Range
C1 (24) - G#6 (92)
Total Notes
2082

Note Distribution

C
369 17.7%
C#
89 4.3%
D
260 12.5%
Eb
249 12.0%
E
55 2.6%
F
214 10.3%
F#
57 2.7%
G
364 17.5%
Ab
169 8.1%
A
35 1.7%
Bb
109 5.2%
B
112 5.4%

Tracks & Instruments

TrackInstrumentNotes
up:rechtsacoustic grand piano668
down:linksacoustic grand piano1414

Chord Timeline

TimeBeatChord
00:00 - 00:00M1.1 - M1.2G7/B
00:00M1.3AbmMaj7/G
00:01M1.4Dm
00:01M2.1AbmMaj7/G
00:01M2.2Dm
00:02M2.3Gsus4/C
00:02M2.4Fm9/Ab
00:03M3.1G7/D
00:03M3.2Dm11
00:03M3.3AbmMaj7/G
00:04M3.4Dm
00:04M4.1AbmMaj7/G
00:04M4.2Dm
00:05M4.3Gsus4/C
00:05M4.4Fm9/Ab
00:06M5.1G7/B
00:06M5.2Dm
00:06M5.3AbmMaj7/G
00:07M5.4Dm
00:07M6.1AbmMaj7/G
00:07M6.2Dm
00:08M6.3AbmMaj7/G
00:08M6.4Dm
00:09M7.1G11/C
00:09M7.2Cm(add9)/D
00:09M7.3Abm(add9)/C
00:10M7.4Fsus2
00:10M8.1Cm(add9)/D
00:10M8.2Am(add9)/B
00:11M8.3Fm(add9)/G
00:11M8.4Ebsus2
00:12M9.1Csus2
00:12 - 00:12M9.2 - M9.3Cm(add9)/G
00:13M9.4Cm(add9)/Eb
00:13M10.1Csus2
00:13M10.2Cm(add9)/Eb
00:14M10.3Csus2
00:14M10.4Cm(add9)/D
00:15M11.1Cm/Eb
00:15M11.2Eb
00:15 - 00:16M11.3 - M11.4Cm(add9)/G
00:16 - 00:16M12.1 - M12.2Abmaj7
00:17M12.3Cm(add9)
00:17M12.4Cm(add9)/D
00:18M13.1Cm/Eb
00:18M13.2Eb
00:18 - 00:19M13.3 - M13.4Cm(add9)/G
00:19M14.1Cdim7
00:19M14.2F#dim7/Eb
00:20M14.3Cdim7
00:20M14.4F#dim7/Eb
00:21M15.1Gadd9/B
00:21M15.2G
00:21M15.3Bbdim7
00:22M15.4Bbm7/C#
00:22M16.1Fadd9/A
00:22M16.2F
00:23M16.3Ab6
00:23M16.4Fm(add9)/C
00:24M17.1Cmaj7/G
00:24M17.2C#mMaj7
00:24M17.3Cadd9/E
00:25M17.4C11/F
00:25M18.1AbmMaj7/Eb
00:25M18.2Fdim7/D
00:26M18.3CmMaj7/Eb
00:26M18.4Ddim/Ab
00:27M19.1Csus2
00:27 - 00:27M19.2 - M19.3Cm(add9)/G
00:28M19.4Cm(add9)/Eb
00:28M20.1Csus2
00:28M20.2Cm(add9)/Eb
00:29M20.3Csus2
00:29M20.4Cm(add9)/D
00:30 - 00:30M21.1 - M21.2Cm(add9)/Eb
00:30 - 00:31M21.3 - M21.4Cm(add9)/G
00:31 - 00:31M22.1 - M22.2Abmaj7
00:32M22.3Cm(add9)/G
00:32M22.4Cm(add9)/D
00:33M23.1Cm(add9)
00:33M23.2Cm(add9)/Eb
00:33 - 00:34M23.3 - M23.4Cm(add9)/G
00:34M24.1F13/C
00:34M24.2F13/Eb
00:35M24.3Dm7/C
00:35M24.4F13/Eb
00:36M25.1Bb
00:36M25.2Bb5
00:36M25.3Bmaj7/Bb
00:37M25.4Gm/Bb
00:37M26.1C7/Bb
00:37M26.2Bbm(add9)
00:38M26.3Bb
00:38M26.4F#7/Bb
00:39M27.1Bb/F
00:39M27.2Bb6
00:39M27.3Gm7/D
00:40M27.4F7
00:40M28.1Bbm(add9)
00:40M28.2Bbsus2
00:41M28.3Asus2
00:41M28.4Absus2
00:42M29.1AbmMaj7
00:42M29.2Abm(add9)/B
00:42M29.3Abm/Eb
00:43M29.4Fm7b5/Ab
00:43 - 00:44M30.1 - M30.3Ebm/F#
00:44M30.4F#sus2
00:45 - 00:45M31.1 - M31.3F#m/A
00:46M31.4Ebm7b5/C#
00:46 - 00:47M32.1 - M32.3C#m/E
00:47M32.4Esus2
00:48 - 00:48M33.1 - M33.3Ab7sus2
00:49M33.4F#6/9/Ab
00:49M34.1Ddim7/B
00:49 - 00:50M34.2 - M34.3Bb7sus2
00:50M34.4Ab6/9/Bb
00:51M35.1Bbdim7/C#
00:51M35.2C7sus2
00:51M35.3Em/G
00:52M35.4C#maj7/E
00:52M36.1Bsus2/C
00:52M36.2Fm11/Ab
00:53M36.3C#m7
00:53M36.4Abmaj9/C
00:54M37.1Fm/Ab
00:54M37.2Ab6
00:54M37.3Csus4/F
00:55M37.4Csus4
00:55 - 00:55M38.1 - M38.2Fsus4/Bb
00:56M38.3Fm/Ab
00:56M38.4C#
00:57M39.1Fm/Ab
00:57M39.2Ab6
00:57M39.3Csus4/F
00:58 - 00:59M39.4 - M40.3Csus4
00:59M40.4Abdim7/B
01:00M41.1G7/D
01:00M41.2Ddim7
01:00M41.3AbmMaj7/G
01:01M41.4Dm
01:01M42.1AbmMaj7/G
01:01M42.2Dm
01:02M42.3Gsus4/C
01:02M42.4Fm9/Ab
01:03M43.1G7/F
01:03M43.2Dm11/F
01:03M43.3AbmMaj7/G
01:04M43.4Dm
01:04M44.1AbmMaj7/G
01:04M44.2Dm
01:05M44.3Gsus4/C
01:05M44.4Fm9/Ab
01:06M45.1G7/B
01:06M45.2Dm
01:06M45.3AbmMaj7/G
01:07M45.4Dm
01:07M46.1AbmMaj7/G
01:07M46.2Dm
01:08M46.3AbmMaj7/G
01:08M46.4Dm
01:09M47.1G11/C
01:09M47.2Cm(add9)/D
01:09M47.3Abm(add9)/C
01:10M47.4Fsus2
01:10M48.1Cm(add9)/D
01:10M48.2Am(add9)/B
01:11M48.3Fm(add9)/G
01:11M48.4Ebsus2
01:12M49.1Csus2
01:12 - 01:12M49.2 - M49.3Cm(add9)/G
01:13M49.4Cm(add9)/Eb
01:13M50.1Csus2
01:13M50.2Cm(add9)/Eb
01:14M50.3Csus2
01:14M50.4Cm(add9)/C#
01:15M51.1Cm/Eb
01:15M51.2Eb
01:15 - 01:16M51.3 - M51.4Cm(add9)/G
01:16 - 01:16M52.1 - M52.2Abmaj7
01:17M52.3CmMaj7
01:17M52.4Cm(add9)/C#
01:18M53.1Cm/Eb
01:18M53.2Eb
01:18 - 01:19M53.3 - M53.4Cm(add9)/G
01:19M54.1Cdim7
01:19M54.2F#dim7/Eb
01:20M54.3Cdim7
01:20M54.4F#dim7/Eb
01:21M55.1Gadd9/B
01:21M55.2G
01:21M55.3Bbdim7
01:22M55.4Bbdim7/C#
01:22M56.1Fadd9/A
01:22M56.2F
01:23M56.3Ab6
01:23M56.4Fm(add9)/C
01:24M57.1Cmaj7/E
01:24 - 01:24M57.2 - M57.3Cm(add9)/Eb
01:25M57.4Ebm(add9)
01:25M58.1AbmMaj7/Eb
01:25M58.2Fdim7/D
01:26M58.3CmMaj7/Eb
01:26M58.4Ddim/Ab
01:27M59.1Csus2
01:27 - 01:27M59.2 - M59.3Cm(add9)/G
01:28M59.4Cm(add9)/Eb
01:28M60.1Csus2
01:28M60.2Cm(add9)/Eb
01:29M60.3G11/C
01:29M60.4Cm(add9)/C#
01:30M61.1Cm/Eb
01:30M61.2Eb
01:30 - 01:31M61.3 - M61.4Cm(add9)/G
01:31 - 01:31M62.1 - M62.2Abmaj7
01:32M62.3CmMaj7
01:32M62.4Cm11/C#
01:33M63.1Cm/Eb
01:33M63.2Eb
01:33 - 01:34M63.3 - M63.4Cm(add9)/G

The table shows the first 220 chord changes. The player keeps the complete MIDI performance available for listening and visual practice.